“True, Henery, you do, I’ve heard ye,” said Joseph Poorgrass in a voice of thorough attestation, and with a wire-drawn smile of misery.
“’Twould do a martel man no harm to have what’s under her bonnet,” said Billy Smallbury, who had just entered, bearing his one tooth before him. “She can spaik real language, and must have some sense somewhere. Do ye foller me?”
“I do, I do; but no baily—I deserved that place,” wailed Henery, signifying wasted genius by gazing blankly at visions of a high destiny apparently visible to him on Billy Smallbury’s smock-frock. “There, ’twas to be, I suppose. Your lot is your lot, and Scripture is nothing; for if you do good you don’t get rewarded according to your works, but be cheated in some mean way out of your recompense.”
“No, no; I don’t agree with’ee there,” said Mark Clark. “God’s a perfect gentleman in that respect.”
“Good works good pay, so to speak it,” attested Joseph Poorgrass.
A short pause ensued, and as a sort of entr’acte Henery turned and blew out the lanterns, which the increase of daylight rendered no longer necessary even in the malthouse, with its one pane of glass.
“I wonder what a farmer-woman can want with a harpsichord, dulcimer, pianner, or whatever ’tis they d’call it?” said the maltster. “Liddy saith she’ve a new one.”
“Got a pianner?”
“Ay. Seems her old uncle’s things were not good enough for her. She’ve bought all but everything new. There’s heavy chairs for the stout, weak and wiry ones for the slender; great watches, getting on to the size of clocks, to stand upon the chimbley-piece.”
“Pictures, for the most part wonderful frames.”