February 1922.
CONTENTS
| PAGE | |
| Apology | [v] |
| Weathers | [1] |
| The maid of Keinton Mandeville | [3] |
| Summer Schemes | [5] |
| Epeisodia | [6] |
| Faintheart in a Railway Train | [8] |
| At Moonrise and Onwards | [9] |
| The Garden Seat | [11] |
| Barthélémon at Vauxhall | [12] |
| “I sometimes think” | [14] |
| Jezreel | [15] |
| A Jog-trot Pair | [17] |
| “The Curtains now are drawn” | [19] |
| “According to the Mighty Working” | [21] |
| “I was not He” | [22] |
| The West-of-Wessex Girl | [23] |
| Welcome Home | [25] |
| Going and Staying | [26] |
| Read by Moonlight | [27] |
| At a house in Hampstead | [28] |
| A Woman’s Fancy | [30] |
| Her Song | [33] |
| A Wet August | [35] |
| The Dissemblers | [36] |
| To a Lady playing and singing in the Morning | [37] |
| “A Man was drawing near to me” | [38] |
| The Strange House | [40] |
| “As ’twere To-night” | [42] |
| The Contretemps | [43] |
| A Gentleman’s Epitaph on Himself and a Lady | [46] |
| The Old Gown | [48] |
| A Night in November | [50] |
| A Duettist to her Pianoforte | [51] |
| “Where Three Roads joined” | [53] |
| “And There was a Great Calm” | [55] |
| Haunting Fingers | [59] |
| The Woman I Met | [63] |
| “If it’s ever Spring again” | [67] |
| The Two Houses | [68] |
| On Stinsford Hill at Midnight | [72] |
| The Fallow Deer at the Lonely House | [74] |
| The Selfsame Song | [75] |
| The Wanderer | [76] |
| A Wife comes back | [78] |
| A Young Man’s Exhortation | [81] |
| At Lulworth Cove a Century Back | [83] |
| A Bygone Occasion | [85] |
| Two Serenades | [86] |
| The Wedding Morning | [89] |
| End of the Year 1912 | [90] |
| The Chimes play “Life’s a Bumper!” | [91] |
| “I worked no Wile to meet You” | [93] |
| At the Railway Station, Upway | [95] |
| Side by Side | [96] |
| Dream of the City Shopwoman | [98] |
| A Maiden’s Pledge | [100] |
| The Child and the Sage | [101] |
| Mismet | [103] |
| An Autumn Rain-scene | [105] |
| Meditations on a Holiday | [107] |
| An Experience | [111] |
| The Beauty | [113] |
| The Collector cleans his Picture | [114] |
| The Wood Fire | [117] |
| Saying Good-bye | [119] |
| On the Tune called The Old-hundred-and-fourth | [121] |
| The Opportunity | [123] |
| Evelyn G. of Christminster | [124] |
| The Rift | [126] |
| Voices from Things growing | [127] |
| On the Way | [130] |
| “She did not turn” | [132] |
| Growth in May | [133] |
| The Children and Sir Nameless | [134] |
| At the Royal Academy | [136] |
| Her Temple | [138] |
| A Two-years’ Idyll | [139] |
| By Henstridge Cross at the Year’s End | [141] |
| Penance | [143] |
| “I look in her Face” | [145] |
| After the War | [146] |
| “If you had known” | [148] |
| The Chapel-Organist | [150] |
| Fetching Her | [157] |
| “Could I but will” | [159] |
| She revisits alone the Church of her Marriage | [161] |
| At the Entering of the New Year | [163] |
| They would not come | [165] |
| After a Romantic Day | [167] |
| The Two Wives | [168] |
| “I knew a Lady” | [170] |
| A House with a History | [171] |
| A Procession of Dead Days | [173] |
| He follows Himself | [176] |
| The Singing Woman | [178] |
| Without, not within Her | [179] |
| “O I won’t lead a Homely Life” | [180] |
| In the Small Hours | [181] |
| The Little Old Table | [183] |
| Vagg Hollow | [184] |
| The Dream is—which? | [186] |
| The Country Wedding | [187] |
| First or Last | [190] |
| Lonely Days | [191] |
| “What did it mean?” | [194] |
| At the Dinner-table | [196] |
| The Marble Tablet | [198] |
| The Master and the Leaves | [199] |
| Last Words to a Dumb Friend | [201] |
| A Drizzling Easter morning | [204] |
| On One who lived and died where He was born | [205] |
| The Second Night | [207] |
| She who saw not | [210] |
| The Old Workman | [212] |
| The Sailor’s Mother | [214] |
| Outside the Casement | [216] |
| The Passer-by | [218] |
| “I was the Midmost” | [220] |
| A Sound in the Night | [221] |
| On a Discovered Curl of Hair | [226] |
| An Old Likeness | [227] |
| Her Apotheosis | [229] |
| “Sacred to the Memory” | [230] |
| To a Well-named Dwelling | [231] |
| The Whipper-in | [232] |
| A Military Appointment | [234] |
| The Milestone by the Rabbit-burrow | [236] |
| The Lament of the Looking-glass | [237] |
| Cross-currents | [238] |
| The Old Neighbour and the New | [240] |
| The Chosen | [241] |
| The Inscription | [244] |
| The Marble-streeted Town | [251] |
| A Woman driving | [252] |
| A Woman’s Trust | [254] |
| Best Times | [256] |
| The Casual Acquaintance | [258] |
| Intra Sepulchrum | [260] |
| The Whitewashed Wall | [262] |
| Just the Same | [264] |
| The Last Time | [265] |
| The Seven Times | [266] |
| The Sun’s Last Look on the Country Girl | [269] |
| In a London Flat | [270] |
| Drawing Details in an Old Church | [272] |
| Rake-hell muses | [273] |
| The Colour | [277] |
| Murmurs in the Gloom | [279] |
| Epitaph | [281] |
| An Ancient to Ancients | [282] |
| After reading psalms xxxix., xl. | [285] |
| Surview | [287] |
WEATHERS
I
This is the weather the cuckoo likes,
And so do I;
When showers betumble the chestnut spikes,
And nestlings fly:
And the little brown nightingale bills his best,
And they sit outside at “The Travellers’ Rest,”
And maids come forth sprig-muslin drest,
And citizens dream of the south and west,
And so do I.
II
This is the weather the shepherd shuns,
And so do I;
When beeches drip in browns and duns,
And thresh, and ply;
And hill-hid tides throb, throe on throe,
And meadow rivulets overflow,
And drops on gate-bars hang in a row,
And rooks in families homeward go,
And so do I.
THE MAID OF KEINTON MANDEVILLE
(A TRIBUTE TO SIR H. BISHOP)
I hear that maiden still
Of Keinton Mandeville
Singing, in flights that played
As wind-wafts through us all,
Till they made our mood a thrall
To their aery rise and fall,
“Should he upbraid.”