‘“Oh no, mem,” says Andrew. “’Twas broke all to splinters.”
‘“I’ll see what I can do for you,” says she.
‘And then it seemed all over, and we played “Rejoice, ye drowsy mortals all,” in D and two sharps. But no sooner had we got through it than she says to Andrew,
‘“I’ve sent up into the attic, where we have some old musical instruments, and found a bow for you.” And she hands the bow to poor wretched Andrew, who didn’t even know which end to take hold of. “Now we shall have the full accompaniment,” says she.
‘Andrew’s face looked as if it were made of rotten apple as he stood in the circle of players in front of his book; for if there was one person in the parish that everybody was afraid of, ’twas this hook-nosed old lady. However, by keeping a little behind the next man he managed to make pretence of beginning, sawing away with his bow without letting it touch the strings, so that it looked as if he were driving into the tune with heart and soul. ’Tis a question if he wouldn’t have got through all right if one of the squire’s visitors (no other than the archdeacon) hadn’t noticed that he held the fiddle upside down, the nut under his chin, and the tail-piece in his hand; and they began to crowd round him, thinking ’twas some new way of performing.
‘This revealed everything; the squire’s mother had Andrew turned out of the house as a vile impostor, and there was great interruption to the harmony of the proceedings, the squire declaring he should have notice to leave his cottage that day fortnight. However, when we got to the servants’ hall there sat Andrew, who had been let in at the back door by the orders of the squire’s wife, after being turned out at the front by the orders of the squire, and nothing more was heard about his leaving his cottage. But Andrew never performed in public as a musician after that night; and now he’s dead and gone, poor man, as we all shall be!’
‘I had quite forgotten the old choir, with their fiddles and bass-viols,’ said the home-comer, musingly. ‘Are they still going on the same as of old?’
‘Bless the man!’ said Christopher Twink, the master-thatcher; ‘why, they’ve been done away with these twenty year. A young teetotaler plays the organ in church now, and plays it very well; though ’tis not quite such good music as in old times, because the organ is one of them that go with a winch, and the young teetotaler says he can’t always throw the proper feeling into the tune without wellnigh working his arms off.’
‘Why did they make the change, then?’