‘Matth:—Tina (Corpl.) in His Majesty’s Regmt. of York Hussars, and Shot for Desertion, was Buried June 30th, 1801, aged 22 years. Born in the town of Sarrbruk, Germany.
‘Christoph Bless, belonging to His Majesty’s Regmt. of York Hussars, who was Shot for Desertion, was Buried June 30th, 1801, aged 22 years. Born at Lothaargen, Alsatia.’
Their graves were dug at the back of the little church, near the wall. There is no memorial to mark the spot, but Phyllis pointed it out to me. While she lived she used to keep their mounds neat; but now they are overgrown with nettles, and sunk nearly flat. The older villagers, however, who know of the episode from their parents, still recollect the place where the soldiers lie. Phyllis lies near.
October 1889.
THE FIDDLER OF THE REELS
‘Talking of Exhibitions, World’s Fairs, and what not,’ said the old gentleman, ‘I would not go round the corner to see a dozen of them nowadays. The only exhibition that ever made, or ever will make, any impression upon my imagination was the first of the series, the parent of them all, and now a thing of old times—the Great Exhibition of 1851, in Hyde Park, London. None of the younger generation can realize the sense of novelty it produced in us who were then in our prime. A noun substantive went so far as to become an adjective in honour of the occasion. It was “exhibition” hat, “exhibition” razor-strop, “exhibition” watch; nay, even “exhibition” weather, “exhibition” spirits, sweethearts, babies, wives—for the time.
‘For South Wessex, the year formed in many ways an extraordinary chronological frontier or transit-line, at which there occurred what one might call a precipice in Time. As in a geological “fault,” we had presented to us a sudden bringing of ancient and modern into absolute contact, such as probably in no other single year since the Conquest was ever witnessed in this part of the country.’
These observations led us onward to talk of the different personages, gentle and simple, who lived and moved within our narrow and peaceful horizon at that time; and of three people in particular, whose queer little history was oddly touched at points by the Exhibition, more concerned with it than that of anybody else who dwelt in those outlying shades of the world, Stickleford, Mellstock, and Egdon. First in prominence among these three came Wat Ollamoor—if that were his real name—whom the seniors in our party had known well.
He was a woman’s man, they said,—supremely so—externally little else. To men he was not attractive; perhaps a little repulsive at times. Musician, dandy, and company-man in practice; veterinary surgeon in theory, he lodged awhile in Mellstock village, coming from nobody knew where; though some said his first appearance in this neighbourhood had been as fiddle-player in a show at Greenhill Fair.
Many a worthy villager envied him his power over unsophisticated maidenhood—a power which seemed sometimes to have a touch of the weird and wizardly in it. Personally he was not ill-favoured, though rather un-English, his complexion being a rich olive, his rank hair dark and rather clammy—made still clammier by secret ointments, which, when he came fresh to a party, caused him to smell like ‘boys’-love’ (southernwood) steeped in lamp-oil. On occasion he wore curls—a double row—running almost horizontally around his head. But as these were sometimes noticeably absent, it was concluded that they were not altogether of Nature’s making. By girls whose love for him had turned to hatred he had been nicknamed ‘Mop,’ from this abundance of hair, which was long enough to rest upon his shoulders; as time passed the name more and more prevailed.