Ah—it’s the skeleton of a lady’s sunshade,
Here at my feet in the hard rock’s chink,
Merely a naked sheaf of wires!—
Twenty years have gone with their livers and diers
Since it was silked in its white or pink.
Noonshine riddles the ribs of the sunshade,
No more a screen from the weakest ray;
Nothing to tell us the hue of its dyes,
Nothing but rusty bones as it lies
In its coffin of stone, unseen till to-day.
Where is the woman who carried that sun-shade
Up and down this seaside place?—
Little thumb standing against its stem,
Thoughts perhaps bent on a love-stratagem,
Softening yet more the already soft face!
Is the fair woman who carried that sunshade
A skeleton just as her property is,
Laid in the chink that none may scan?
And does she regret—if regret dust can—
The vain things thought when she flourished this?
Swanage Cliffs.
THE AGEING HOUSE
When the walls were red
That now are seen
To be overspread
With a mouldy green,
A fresh fair head
Would often lean
From the sunny casement
And scan the scene,
While blithely spoke the wind to the little sycamore tree.
But storms have raged
Those walls about,
And the head has aged
That once looked out;
And zest is suaged
And trust is doubt,
And slow effacement
Is rife throughout,
While fiercely girds the wind at the long-limbed sycamore tree!
THE CAGED GOLDFINCH
Within a churchyard, on a recent grave,
I saw a little cage
That jailed a goldfinch. All was silence save
Its hops from stage to stage.