III
As for Tess Durbeyfield, she did not so easily dislodge the incident from her consideration. She had no spirit to dance again for a long time, though she might have had plenty of partners; but ah! they did not speak so nicely as the strange young man had done. It was not till the rays of the sun had absorbed the young stranger’s retreating figure on the hill that she shook off her temporary sadness and answered her would-be partner in the affirmative.
She remained with her comrades till dusk, and participated with a certain zest in the dancing; though, being heart-whole as yet, she enjoyed treading a measure purely for its own sake; little divining when she saw “the soft torments, the bitter sweets, the pleasing pains, and the agreeable distresses” of those girls who had been wooed and won, what she herself was capable of in that kind. The struggles and wrangles of the lads for her hand in a jig were an amusement to her—no more; and when they became fierce she rebuked them.
She might have stayed even later, but the incident of her father’s odd appearance and manner returned upon the girl’s mind to make her anxious, and wondering what had become of him she dropped away from the dancers and bent her steps towards the end of the village at which the parental cottage lay.
While yet many score yards off, other rhythmic sounds than those she had quitted became audible to her; sounds that she knew well—so well. They were a regular series of thumpings from the interior of the house, occasioned by the violent rocking of a cradle upon a stone floor, to which movement a feminine voice kept time by singing, in a vigorous gallopade, the favourite ditty of “The Spotted Cow”—
I saw her lie do′-own in yon′-der green gro′-ove;
Come, love!′ and I'll tell′ you where!′
The cradle-rocking and the song would cease simultaneously for a moment, and an exclamation at highest vocal pitch would take the place of the melody.
“God bless thy diment eyes! And thy waxen cheeks! And thy cherry mouth! And thy Cubit’s thighs! And every bit o’ thy blessed body!”
After this invocation the rocking and the singing would recommence, and the “Spotted Cow” proceed as before. So matters stood when Tess opened the door and paused upon the mat within it, surveying the scene.
The interior, in spite of the melody, struck upon the girl’s senses with an unspeakable dreariness. From the holiday gaieties of the field—the white gowns, the nosegays, the willow-wands, the whirling movements on the green, the flash of gentle sentiment towards the stranger—to the yellow melancholy of this one-candled spectacle, what a step! Besides the jar of contrast there came to her a chill self-reproach that she had not returned sooner, to help her mother in these domesticities, instead of indulging herself out-of-doors.