SECOND DESERTER
I don’t know what he thinks, but I know what I feel! Would that I
were at home in England again, where there’s old-fashioned tipple,
and a proper God A’mighty instead of this eternal ’Ooman and baby;
—ay, at home a-leaning against old Bristol Bridge, and no questions
asked, and the winter sun slanting friendly over Baldwin Street as
’a used to do! ’Tis my very belief, though I have lost all sure
reckoning, that if I were there, and in good health, ’twould be New
Year’s day about now. What it is over here I don’t know. Ay, to-
night we should be a-setting in the tap of the “Adam and Eve”—
lifting up the tune of “The Light o’ the Moon.” ’Twer a romantical
thing enough. ’A used to go som’at like this [he sings in a nasal
tone]:—
“O I thought it had been day,
And I stole from here away;
But it proved to be the light o’ the moon!”
[Retreat continues, with infantry in good order. Hearing the
singing, one of the officers looks around, and detaching a patrol
enters the ruined house with the file of men, the body of soldiers
marching on. The inmates of the cellar bury themselves in the
straw. The officer peers about, and seeing no one prods the straw
with his sword.
VOICES [under the straw]
Oh! Hell! Stop it! We’ll come out! Mercy! Quarter!
[The lurkers are uncovered.]
OFFICER
If you are well enough to sing bawdy songs, you are well enough to
march. So out of it—or you’ll be shot, here and now!
SEVERAL
You may shoot us, captain, or the French may shoot us, or the devil
may take us; we don’t care which! Only we can’t stir. Pity the
women, captain, but do what you will with us!
[The searchers pass over the wounded, and stir out those capable
of marching, both men and women, so far as they discover them.
They are pricked on by the patrol. Exeunt patrol and deserters
in its charge.
Those who remain look stolidly at the highway. The English Rear-
guard of cavalry crosses the scene and passes out. An interval.
It grows dusk.]
SPIRIT IRONIC
Quaint poesy, and real romance of war!
SPIRIT OF THE PITIES
Mock on, Shade, if thou wilt! But others find
Poesy ever lurk where pit-pats poor mankind!
[The scene is cloaked in darkness.]
SCENE II
THE SAME
[It is nearly midnight. The fugitives who remain in the cellar
having slept off the effects of the wine, are awakened by a new
tramping of cavalry, which becomes more and more persistent. It
is the French, who now fill the road. The advance-guard having
passed by, DELABORDE’S division, LORGE’S division, MERLE’S
division, and others, successively cross the gloom.
Presently come the outlines of the Imperial Guard, and then, with
a start, those in hiding realize their situation, and are wide
awake. NAPOLÉON enters with his staff. He has just been overtaken
by a courier, and orders those round him to halt.]
NAPOLÉON
Let there a fire be lit: Ay, here and now.
The lines within these letters brook no pause
In mastering their purport.
[Some of the French approach the ruined house and, appropriating
what wood is still left there, heap it by the roadside and set it
alight. A mixed rain and snow falls, and the sputtering flames
throw a glare all round.]
SECOND DESERTER [under his voice]
We be shot corpses! Ay, faith, we be! Why didn’t I stick to
England, and true doxology, and leave foreign doxies and their
wine alone!... Mate, can ye squeeze another shardful from the
cask there, for I feel my time is come!... O that I had but the
barrel of that firelock I throwed away, and that wasted powder to
prime and load! This bullet I chaw to squench my hunger would do
the rest!... Yes, I could pick him off now!