‘By writing and telling him that on no account is he to come.’
‘But there is not time for a letter—’
‘That doesn’t matter. It will show him that I did not mean him to come.’
At hearing the very merciful nature of the punishment, Picotee sighed without replying; and Ethelberta despatched her note. The hour of appointment drew near, and Ethelberta showed symptoms of unrest. Six o’clock struck and passed. She walked here and there for nothing, and it was plain that a dread was filling her: her letter might accidentally have had, in addition to the moral effect which she had intended, the practical effect which she did not intend, by arriving before, instead of after, his purposed visit to her, thereby stopping him in spite of all her care.
‘How long are letters going to Bloomsbury?’ she said suddenly.
‘Two hours, Joey tells me,’ replied Picotee, who had already inquired on her own private account.
‘There!’ exclaimed Ethelberta petulantly. ‘How I dislike a man to misrepresent things! He said there was not time for a reply!’
‘Perhaps he didn’t know,’ said Picotee, in angel tones; ‘and so it happens all right, and he has got it, and he will not come after all.’
They waited and waited, but Christopher did not appear that night; the true case being that his declaration about insufficient time for a reply was merely an ingenious suggestion to her not to be so cruel as to forbid him. He was far from suspecting when the letter of denial did reach him—about an hour before the time of appointment—that it was sent by a refinement of art, of which the real intention was futility, and that but for his own misstatement it would have been carefully delayed.
The next day another letter came from the musician, decidedly short and to the point. The irate lover stated that he would not be made a fool of any longer: under any circumstances he meant to come that self-same afternoon, and should decidedly expect her to see him.