Away then ran the housemaid and Menlove, and the young footman started at their heels. Round the room, over the furniture, under the furniture, through the furniture, out of one window, along the balcony, in at another window, again round the room—so they glided with the swiftness of swallows and the noiselessness of ghosts.
Then the housemaid drew a jew’s-harp from her pocket, and struck up a lively waltz sotto voce. The footman seized Menlove, who appeared nothing loth, and began spinning gently round the room with her, to the time of the fascinating measure
‘Which fashion hails, from countesses to queens,
And maids and valets dance behind the scenes.’
Picotee, who had been accustomed to unceiled country cottages all her life, wherein the scamper of a mouse is heard distinctly from floor to floor, exclaimed in a terrified whisper, at viewing all this, ‘They’ll hear you underneath, they’ll hear you, and we shall all be ruined!’
‘Not at all,’ came from the cautious dancers. ‘These are some of the best built houses in London—double floors, filled in with material that will deaden any row you like to make, and we make none. But come and have a turn yourself, Miss Chickerel.’
The young man relinquished Menlove, and on the spur of the moment seized Picotee. Picotee flounced away from him in indignation, backing into a corner with ruffled feathers, like a pullet trying to appear a hen.
‘How dare you touch me!’ she said, with rounded eyes. ‘I’ll tell somebody downstairs of you, who’ll soon see about it!’
‘What a baby; she’ll tell her father.’
‘No I shan’t; somebody you are all afraid of, that’s who I’ll tell.’
‘Nonsense,’ said Menlove; ‘he meant no harm.’