‘Kit,’ she said on one occasion, ‘are you looking at the way in which the flowers are fastened to the leaves?—taking a mean advantage of being at the back of the tapestry? You cannot think how you stare at them.’

‘I was looking through them—certainly not at them. I have a feeling of being moved about like a puppet in the hands of a person who legally can be nothing to me.’

‘That charming woman with the shining bunch of hair and convolvuluses?’

‘Yes: it is through her that we are brought here, and through her writing that poem, “Cancelled Words,” that the book was sent me, and through the accidental renewal of acquaintance between us on Anglebury Heath, that she wrote the poem. I was, however, at the moment you spoke, thinking more particularly of the little teacher whom Ethelberta must have commissioned to send the book to me; and why that girl was chosen to do it.’

‘There may be a hundred reasons. Kit, I have never yet seen her look once this way.’

Christopher had certainly not yet received look or gesture from her; but his time came. It was while he was for a moment outside the recess, and he caught her in the act. She became slightly confused, turned aside, and entered into conversation with a neighbour.

It was only a look, and yet what a look it was! One may say of a look that it is capable of division into as many species, genera, orders, and classes, as the animal world itself. Christopher saw Ethelberta Petherwin’s performance in this kind—the well-known spark of light upon the well-known depths of mystery—and felt something going out of him which had gone out of him once before.

Thus continually beholding her and her companions in the giddy whirl, the night wore on with the musicians, last dances and more last dances being added, till the intentions of the old on the matter were thrice exceeded in the interests of the young. Watching the couples whirl and turn, advance and recede as gently as spirits, knot themselves like house-flies and part again, and lullabied by the faint regular beat of their footsteps to the tune, the players sank into the peculiar mesmeric quiet which comes over impressionable people who play for a great length of time in the midst of such scenes; and at last the only noises that Christopher took cognizance of were those of the exceptional kind, breaking above the general sea of sound—a casual smart rustle of silk, a laugh, a stumble, the monosyllabic talk of those who happened to linger for a moment close to the leafy screen—all coming to his ears like voices from those old times when he had mingled in similar scenes, not as servant but as guest.

5. AT THE WINDOW—THE ROAD HOME

The dancing was over at last, and the radiant company had left the room. A long and weary night it had been for the two players, though a stimulated interest had hindered physical exhaustion in one of them for a while. With tingling fingers and aching arms they came out of the alcove into the long and deserted apartment, now pervaded by a dry haze. The lights had burnt low, and Faith and her brother were waiting by request till the wagonette was ready to take them home, a breakfast being in course of preparation for them meanwhile.