"Coming across the water to Budmouth by steamer, isn't he?"
"Yes; but how he's coming from Budmouth I don't know."
"That's a bad trouble about his cousin Thomasin. I wonder such a nice-notioned fellow as Clym likes to come home into it. What a nunnywatch we were in, to be sure, when we heard they weren't married at all, after singing to 'em as man and wife that night! Be dazed if I should like a relation of mine to have been made such a fool of by a man. It makes the family look small."
"Yes. Poor maid, her heart has ached enough about it. Her health is suffering from it, I hear, for she will bide entirely indoors. We never see her out now, scampering over the furze with a face as red as a rose, as she used to do."
"I've heard she wouldn't have Wildeve now if he asked her."
"You have? 'Tis news to me."
While the furze-gatherers had desultorily conversed thus Eustacia's face gradually bent to the hearth in a profound reverie, her toe unconsciously tapping the dry turf which lay burning at her feet.
The subject of their discourse had been keenly interesting to her. A young and clever man was coming into that lonely heath from, of all contrasting places in the world, Paris. It was like a man coming from heaven. More singular still, the heathmen had instinctively coupled her and this man together in their minds as a pair born for each other.
That five minutes of overhearing furnished Eustacia with visions enough to fill the whole blank afternoon. Such sudden alternations from mental vacuity do sometimes occur thus quietly. She could never have believed in the morning that her colourless inner world would before night become as animated as water under a microscope, and that without the arrival of a single visitor. The words of Sam and Humphrey on the harmony between the unknown and herself had on her mind the effect of the invading Bard's prelude in the "Castle of Indolence," at which myriads of imprisoned shapes arose where had previously appeared the stillness of a void.
Involved in these imaginings she knew nothing of time. When she became conscious of externals it was dusk. The furze-rick was finished; the men had gone home. Eustacia went upstairs, thinking that she would take a walk at this her usual time; and she determined that her walk should be in the direction of Blooms-End, the birthplace of young Yeobright and the present home of his mother. She had no reason for walking elsewhere, and why should she not go that way? The scene of a day-dream is sufficient for a pilgrimage at nineteen. To look at the palings before the Yeobrights' house had the dignity of a necessary performance. Strange that such a piece of idling should have seemed an important errand.