‘Yes. But I shall be at the island—looking at a dead woman’s grave.’ As he spoke his eyes turned, and remained fixed on a table near. Somers followed the direction of his glance to a photograph on a stand.
‘Is that she?’ he asked.
‘Yes.’
‘Rather a bygone affair, then?’
Pierston acknowledged it. ‘She’s the only sweetheart I ever slighted, Alfred,’ he said. ‘Because she’s the only one I ought to have cared for. That’s just the fool I have always been.’
‘But if she’s dead and buried, you can go to her grave at any time as well as now, to keep up the sentiment.’
‘I don’t know that she’s buried.’
‘But to-morrow—the Academy night! Of all days why go then?’
‘I don’t care about the Academy.’
‘Pierston—you are our only inspired sculptor. You are our Praxiteles, or rather our Lysippus. You are almost the only man of this generation who has been able to mould and chisel forms living enough to draw the idle public away from the popular paintings into the usually deserted Lecture-room, and people who have seen your last pieces of stuff say there has been nothing like them since sixteen hundred and—since the sculptors ‘of the great race’ lived and died—whenever that was. Well, then, for the sake of others you ought not to rush off to that God-forgotten sea-rock just when you are wanted in town, all for a woman you last saw a hundred years ago.’