Who now remembers Almack’s balls—
Willis’s sometime named—
In those two smooth-floored upper halls
For faded ones so famed?
Where as we trod to trilling sound
The fancied phantoms stood around,
Or joined us in the maze,
Of the powdered Dears from Georgian years,
Whose dust lay in sightless sealed-up biers,
The fairest of former days.
II
Who now remembers gay Cremorne,
And all its jaunty jills,
And those wild whirling figures born
Of Jullien’s grand quadrilles?
With hats on head and morning coats
There footed to his prancing notes
Our partner-girls and we;
And the gas-jets winked, and the lustres clinked,
And the platform throbbed as with arms enlinked
We moved to the minstrelsy.
III
Who now recalls those crowded rooms
Of old yclept “The Argyle,”
Where to the deep Drum-polka’s booms
We hopped in standard style?
Whither have danced those damsels now!
Is Death the partner who doth moue
Their wormy chaps and bare?
Do their spectres spin like sparks within
The smoky halls of the Prince of Sin
To a thunderous Jullien air?
THE DEAD MAN WALKING
They hail me as one living,
But don’t they know
That I have died of late years,
Untombed although?
I am but a shape that stands here,
A pulseless mould,
A pale past picture, screening
Ashes gone cold.
Not at a minute’s warning,
Not in a loud hour,
For me ceased Time’s enchantments
In hall and bower.
There was no tragic transit,
No catch of breath,
When silent seasons inched me
On to this death . . .