Critiques and Addresses

by Thomas Henry Huxley

Let us now suppose that, instead of one pin's point resting against the end of my finger, there are two. Each of these can be known to me, as we have seen, only as a state of a thinking mind, referred outwards, or localized. But the existence of these two states, somehow or other, generates in my mind a host of new ideas, which did not make their appearance when only one state was present.

For example, I get the ideas of co-existence, of number, of distance, and of relative place or direction. But all these ideas are ideas of relations, and imply the existence of something which perceives those relations. If a tactile sensation is a state of the mind, and if the localization of that sensation is an act of the mind, how is it conceivable that a relation between two localized sensations should exist apart from the mind? It is, I confess, quite as easy for me to imagine that redness may exist apart from a visual sense, as it is to suppose that co-existence, number, and distance can have any existence apart from the mind of which they are ideas.

Thus it seems clear that the existence of some, at any rate, of Locke's primary qualities of matter, such as number and extension, apart from mind, is as utterly unthinkable as the existence of colour and sound under like circumstances.

Will the others—namely, figure, motion and rest, and solidity—withstand a similar criticism? I think not. For all these, like the foregoing, are perceptions by the mind of the relations of two or more sensations to one another. If distance and place are inconceivable, in the absence of the mind, of which they are ideas, the independent existence of figure, which is the limitation of distance, and of motion, which is change of place, must be equally inconceivable. Solidity requires more particular consideration, as it is a term applied to two very different things, the one of which is solidity of form, or geometrical solidity; while the other is solidity of substance, or mechanical solidity.

If those motor nerves of a man by which volitions are converted into motion were all paralysed, and if sensation remained only in the palm of his hand (which is a conceivable case), he would still be able to attain to clear notions of extension, figure, number, and motion, by attending to the states of consciousness which might be aroused by the contact of bodies with the sensory surface of the palm. But it does not appear that such a person could arrive at any conception of geometrical solidity. For that which does not come in contact with the sensory surface is non-existent for the sense of touch; and a solid body, impressed upon the palm of the hand, gives rise only to the notion of the extension of that particular part of the solid which is in contact with the skin.

Nor is it possible that the idea of outness (in the sense of discontinuity with the sentient body) could be attained by such a person; for, as we have seen, every tactile sensation is referred to a point either of the natural sensory surface itself, or of some solid in continuity with that surface. Hence it would appear that the conception of the difference between the Ego and the non-Ego could not be attained by a man thus situated. His feelings would be his universe, and his tactile sensations his "moenia mundi." Time would exist for him as for us, but space would have only two dimensions.

But now remove the paralysis from the motor apparatus, and give the palm of the hand of our imaginary man perfect freedom to move, so as to be able to glide in all directions over the bodies with which it is in contact. Then with the consciousness of that mobility, the notion of space of three dimensions—which is "Raum" or "room" to move with perfect freedom—is at once given. But the notion that the tactile surface itself moves, cannot be given by touch alone, which is competent to testify only to the fact of change of place, not to its cause. The idea of the motion of the tactile surface could not, in fact, be attained, unless the idea of change of place were accompanied by some state of consciousness, which does not exist when the tactile surface is immoveable. This state of consciousness is what is termed the muscular sense, and its existence is very easily demonstrable.

Suppose the back of my hand to rest upon a table, and a sovereign to rest upon the upturned palm, I at once acquire a notion of extension, and of the limit of that extension. The impression made by the circular piece of gold is quite different from that which would be made by a triangular, or a square, piece of the same size, and thereby I arrive at the notion of figure. Moreover, if the sovereign slides over the palm, I acquire a distinct conception of change of place or motion, and of the direction of that motion. For as the sovereign slides, it affects new nerve-endings, and gives rise to new states of consciousness. Each of them is definitely and separately localized by a reflex act of the mind, which, at the same time, becomes aware of the difference between two successive localizations; and therefore of change of place, which is motion.

If, while the sovereign lies on the hand, the latter being kept quite steady, the fore-arm is gradually and slowly raised; the tactile sensations, with all their accompaniments, remain exactly as they were. But, at the same time, something new is introduced; namely, the sense of effort. If I try to discover where this sense of effort seems to be, I find myself somewhat perplexed at first; but, if I hold the fore-arm in position long enough, I become aware of an obscure sense of fatigue, which is apparently seated either in the muscles of the arm, or in the integument directly over them. The fatigue seems to be related to the sense of effort, in much the same way as the pain which supervenes upon the original sense of contact, when a pin is slowly pressed against the skin, is related to touch.

A little attention will show that this sense of effort accompanies every muscular contraction by which the limbs, or other parts of the body, are moved. By its agency the fact of their movement is known; while the direction of the motion is given by the accompanying tactile sensations. And, in consequence of the incessant association of the muscular and the tactile sensations, they become so fused together that they are often confounded tinder the same name.