"'Qui n'etes rien,
Pas meme Academicien;'
what do you mean by asserting the contrary?" Being devoid of the blessings of an Academy in England, we are unaccustomed to see our ablest men treated in this fashion, even by a "Perpetual Secretary."
Or again, considering that if there is any one quality of Mr. Darwin's work to which friends and foes have alike borne witness, it is his candour and fairness in admitting and discussing objections, what is to be thought of M. Flourens' assertion, that
"M. Darwin ne cite que les auteurs qui partagent ses opinions." (P. 40.)
Once more (p. 65):—
"Enfin l'ouvrage de M. Darwin a paru. On ne peut qu'etre frappe du talent de l'auteur. Mais que d'idees obscures, que d'idees fausses! Quel jargon metaphysique jete mal a propos dans l'histoire naturelle, qui tombe dans le galimatias des qu'elle sort des idees claires, des idees justes! Quel langage pretentieux et vide! Quelles personifications pueriles et surannees! O lucidite! O solidite de l'esprit Francais, que devenez-vous?"
"Obscure ideas," "metaphysical jargon," "pretentious and empty language," "puerile and superannuated personifications." Mr. Darwin has many and hot opponents on this side of the Channel and in Germany, but we do not recollect to have found precisely these sins in the long catalogue of those hitherto laid to his charge. It is worth while, therefore, to examine into these discoveries effected solely by the aid of the "lucidity and solidity" of the mind of M. Flourens.
According to M. Flourens, Mr. Darwin's great error is that he has personified Nature (p. 10), and further that he has
"imagined a natural selection: he imagines afterwards that this power of selection (pouvoir d'elire) which he gives to Nature is similar to the power of man. These two suppositions admitted, nothing stops him: he plays with Nature as he likes, and makes her do all he pleases." (P. 6.)
And this is the way M. Flourens extinguishes natural selection: