[To his youngest daughter.]

Siena, February 23, 1885.

Dearest Ethel,

The cutting you sent me contains one of the numerous "goaks" of a Yankee performing donkey who is allowed to disport himself in one of the New York papers. I confess it is difficult to see the point of the joke, but there is one if you look close. I don't think you need trouble to enlighten the simple inquirer. He probably only wanted the indignant autograph which he won't get.

The Parker Museum must take care of itself. The public ought to support it, not the men of science.

As a grandfather, I am ashamed of my friends who are of the same standing; but I think they would take it as a liberty if, in accordance with your wish, I were to write to expostulate.

After your mother had exhausted the joys of the Carnival, she permitted me to leave Rome for this place, where we arrived last Friday evening. My impression is that if we had stayed in Rome much longer we should never have left. There is something idle and afternoony about the air which whittles away one's resolution.

The change here is wonderfully to the good. We are perched more than a thousand feet above the sea, looking over the Tuscan hills for twenty or thirty miles every way. It is with them enough sit with the window wide open and yet the air is prior and more bracing than in any place we have visited. Moreover, the hotel (Grande Albergo) is very comfortable.

Then there is one of the most wonderful cathedrals to be seen in all North Italy—free from all the gaudy finery and atrocious bad taste which have afflicted me all over South Italy. The town is the quaintest place imaginable—built of narrow streets on several steep hills to start with, and then apparently stirred up with a poker to prevent monotony of effect.

Moreover, there is Catherine of Siena, of whom I am reading a delightful Catholic life by an Italian father of the Oratory. She died 500 years ago, but she was one of twenty-five children, and I think some of them must have settled in Kent and allied themselves with the Heathorns. Otherwise, I don't see why her method of writing to the Pope should have been so much like the way my daughters (especially the youngest) write to their holy father.