An experiment which may be performed upon the frog deprived of the fore part of its brain, well known as Göltz’s “Quak-versuch,” affords a parallel to this performance. If the skin of a certain part of the back of such a frog is gently stroked with the finger, it immediately croaks. It never croaks unless it is so stroked, and the croak always follows the stroke, just as the sound of a repeater follows the touching of the spring. In the frog, this “song” is innate—so to speak à priori—and depends upon a mechanism in the brain governing the vocal apparatus, which is set at work by the molecular change set up in the sensory nerves of the skin of the back by the contact of a foreign body.

In man there is also a vocal mechanism, and the cry of an infant is in the same sense innate and à priori, inasmuch as it depends on an organic relation between its sensory nerves and the nervous mechanism which governs the vocal apparatus. Learning to speak, and learning to sing, are processes by which the vocal mechanism is set to new tunes. A song which has been learned has its molecular equivalent, which potentially represents it in the brain, just as a musical box wound up potentially represents an overture. Touch the stop and the overture begins; send a molecular impulse along the proper afferent nerve and the singer begins his song.

Again, the manner in which the frog, though apparently insensible to light, is yet, under some circumstances, influenced by visual images, finds a singular parallel in the case of the ex-sergeant.

Sitting at a table, in one of his abnormal states, he took up a pen, felt for paper and ink, and began to write a letter to his general, in which he recommended himself for a medal, on account of his good conduct and courage. It occurred to Dr. Mesnet to ascertain experimentally how far vision was concerned in this act of writing. He therefore interposed a screen between the man’s eyes and his hands; under these circumstances he went on writing for a short time, but the words became illegible, and he finally stopped, without manifesting any discontent. On the withdrawal of the screen he began to write again where he had left off. The substitution of water for ink in the inkstand had a similar result. He stopped, looked at his pen, wiped it on his coat, dipped it in the water, and began again, with the same effect.

On one occasion, he began to write upon the topmost of ten superimposed sheets of paper. After he had written a line or two, this sheet was suddenly drawn away. There was a slight expression of surprise, but he continued his letter on the second sheet exactly as if it had been the first. This operation was repeated five times, so that the fifth sheet contained nothing but the writer’s signature at the bottom of the page. Nevertheless, when the signature was finished, his eyes turned to the top of the blank sheet, and he went through the form of reading over what he had written, a movement of the lips accompanying each word; moreover, with his pen, he put in such corrections as were needed, in that part of the blank page which corresponded with the position of the words which required correction, in the sheets which had been taken away. If the five sheets had been transparent, therefore, they would, when superposed, have formed a properly written and corrected letter.

Immediately after he had written his letter, F—— got up, walked down to the garden, made himself a cigarette, lighted and smoked it. He was about to prepare another, but sought in vain for his tobacco-pouch, which had been purposely taken away. The pouch was now thrust before his eyes and put under his nose, but he neither saw nor smelt it; but, when it was placed in his hand, he at once seized it, made a fresh cigarette, and ignited a match to light the latter. The match was blown out, and another lighted match placed close before his eyes, but he made no attempt to take it; and, if his cigarette was lighted for him, he made no attempt to smoke. All this time the eyes were vacant, and neither winked, nor exhibited any contraction of the pupils. From these and other experiments, Dr. Mesnet draws the conclusion that his patient sees some things and not others; that the sense of sight is accessible to all things which are brought into relation with him by the sense of touch, and, on the contrary, insensible to things which lie outside this relation. He sees the match he holds, and does not see any other.

Just so the frog “sees” the book which is in the way of his jump, at the same time that isolated visual impressions take no effect upon him.[53]

As I have pointed out, it is impossible to prove that F—— is absolutely unconscious in his abnormal state, but it is no less impossible to prove the contrary; and the case of the frog goes a long way to justify the assumption that, in the abnormal state, the man is a mere insensible machine.

If such facts as these had come under the knowledge of Descartes, would they not have formed an apt commentary upon that remarkable passage in the “Traité de l’Homme,” which I have quoted elsewhere,[54] but which is worth repetition?—

“All the functions which I have attributed to this machine (the body), as the digestion of food, the pulsation of the heart and of the arteries; the nutrition and the growth of the limbs; respiration, wakefulness, and sleep; the reception of light, sounds, odours, flavours, heat, and such like qualities, in the organs of the external senses; the impression of the ideas of these in the organ of common sensation and in the imagination; the retention or the impression of these ideas on the memory: the internal movements of the appetites and the passions; and lastly the external movements of all the limbs, which follow so aptly, as well the action of the objects which are presented to the senses, as the impressions which meet in the memory, that they imitate as nearly as possible those of a real man; I desire, I say, that you should consider that these functions in the machine naturally proceed from the mere arrangement of its organs, neither more nor less than do the movements of a clock, or other automaton, from that of its weights and its wheels; so that, so far as these are concerned, it is not necessary to conceive any other vegetative or sensitive soul, nor any other principle of motion or of life, than the blood and the spirits agitated by the fire which burns continually in the heart, and which is no wise essentially different from all the fires which exist in inanimate bodies.”