[17] Modern criticism inclines to the view that Defoe's "agglomeration of details" is the result of high and conscious art. If 'Robinson Crusoe' were kept away from schoolboys it would doubtless be read pleasurably by adults.
I. PRUDENCE THE NOVELIST'S HIGHEST MORALITY
20. The novel, then, as being a work of art, must fail to teach the lesson of life in its completeness: as an inferior work of art, it has peculiar weaknesses of its own. However extensive the influence of the literature of fiction may have been, its intensity has been in inverse proportion. A great poem, once made our own, abides with us for ever.
"Amid the fretful stir
Unprofitable, and the fever of the world,"[18]
the spirit, returning to it, may gain a fresh assurance of its own birthright, and purify itself, as in a river of Lethe, for an ideal transition to its proper home. The novel, itself the reflex of "the fretful stir unprofitable," can exercise no such power. It can but make us more at home in the region from which a great poem transports us. The value of that experience of the world, which it is its object to impart, is commonly overrated in our day. In the form in which it is imparted by the novelist, we have perhaps had too much of it without his aid. Our external environment is quite enough in our thoughts: we are not too reluctant to admit that we are what we seem to be, dependent for good or evil on circumstances which we do not make for ourselves. This dependence is in itself, no doubt, a fact; but it ceases to be so for us when we contemplate it in forgetfulness of that spring of potential freedom which underlies it, and of the law of duty correlative to freedom. To the exclusive consideration of it we owe those profitless recipes for eliciting moral health from circumstances which are the plague of modern literature, and which one of our ablest writers has lately condescended to dispense, in an essay on "organisation in daily life." This circumstantial view of life, if we may use the term, being the only one that the novelist can convey, prudence is his highest morality. But it may be doubted whether prudence is what any one has great need to learn. The plain man, who fronting circumstances boldly on the one hand, looks reverently to the stern face of duty on the other, can dispense with its maxims. For the moral valetudinarian small benefit is to be gained from a doctor who will
"Read each wound, each weakness clear,
Will strike his finger on the place
And say, 'Thou ailest here and here'."[19]
It is far better for him, instead of poring over a detail of the causes and symptoms of the disease which he hugs, to be stimulated to an effort in which, though it be but temporary, ecstatic, and for an end not actually attainable, he may at least forget the disease altogether. Such a stimulus a great poem may afford him; but in the whole expanse of novel-literature he merely sees his own sickly experience modified in an infinite variety of reflections, till he fancies that the "strange disease of modern life" is the proper constitution of God's universe.