The exposition of quantity, what it is.
2. And quantity is determined two ways; one, by the sense, when some sensible object is set before it; as when a line, a superficies or solid, of a foot or cubit, marked out in some matter, is objected to the eyes; which way of determining, is called exposition, and the quantity so known is called exposed quantity; the other by memory, that is, by comparison with some exposed quantity. In the first manner, when it is asked of what quantity a thing is, it is answered, of such quantity as you see exposed. In the second manner, answer cannot be made but by comparison with some exposed quantity; for if it be asked, how long is the way? the answer is, so many thousand paces; that is, by comparing the way with a pace, or some other measure, determined and known by exposition; or the quantity of it is to some other quantity known by exposition, as the diameter of a square is to the side of the same, or by some other the like means. But it is to be understood, that the quantity exposed must be some standing or permanent thing, such as is marked out in consistent or durable matter; or at least something which is revocable to sense; for otherwise no comparison can be made by it. Seeing, therefore, by what has been said in the next preceding chapter, comparison of one magnitude with another is the same thing with proportion; it is manifest, that quantity determined in the second manner is nothing else but the proportion of a dimension not exposed to another which is exposed; that is, the comparison of the equality or inequality thereof with an exposed quantity.
How line, superficies, and solids, are exposed.
3. Lines, superficies, and solids, are exposed, first, by motion, in such manner as in the 8th chapter I have said they are generated; but so as that the marks of such motion be permanent; as when they are designed upon some matter, as a line upon paper; or graven in some durable matter. Secondly, by apposition; as when one line or length is applied to another line or length, one breadth to another breadth, and one thickness to another thickness; which is as much as to describe a line by points, a superficies by lines, and a solid by superficies; saving that by points in this place are to be understood very short lines; and, by superficies, very thin solids. Thirdly, lines and superficies may be exposed by section, namely, a line may be made by cutting an exposed superficies; and a superficies, by the cutting of an exposed solid.
How time is exposed.
4. Time is exposed, not only by the exposition of a line, but also of some moveable thing, which is moved uniformly upon that line, or at least is supposed so to be moved. For, seeing time is an idea of motion, in which we consider former and latter, that is succession, it is not sufficient for the exposition of time that a line be described; but we must also have in our mind an imagination of some moveable thing passing over that line; and the motion of it must be uniform, that time may be divided and compounded as often as there shall be need. And, therefore, when philosophers, in their demonstrations, draw a line, and say, Let that line be time, it is to be understood as if they said, Let the conception of uniform motion upon that line, be time. For though the circles in dials be lines, yet they are not of themselves sufficient to note time by, except also there be, or be supposed to be, a motion of the shadow or the hand.
How number is exposed.
5. Number is exposed, either by the exposition of points, or of the names of number, one, two, three, &c.; and those points must not be contiguous, so as that they cannot be distinguished by notes, but they must be so placed that they may be discerned one from another; for, from this it is, that number is called discreet quantity, whereas all quantity, which is designed by motion, is called continual quantity. But that number may be exposed by the names of number, it is necessary that they be recited by heart and in order, as one, two, three, &c.; for by saying one, one, one, and so forward, we know not what number we are at beyond two or three; which also appear to us in this manner, not as number, but as figure.
How velocity is exposed.
6. For the exposition of velocity, which, by the definition thereof, is a motion which, in a certain time, passeth over a certain space, it is requisite, not only that time be exposed, but that there be also exposed that space which is transmitted by the body, whose velocity we would determine; and that a body be understood to be moved in that space also; so that there must be exposed two lines, upon one of which uniform motion must be understood to be made, that the time may be determined; and, upon the other, the velocity is to be computed. |A B
C D| As if we would expose the velocity of the we would expose the velocity of the body A, we draw two lines A B and C D, and place a body in C also; which done, we say the velocity of the body A is so great, that it passeth over the line A B in the same time in which the body C passeth over the line C D with uniform motion.