See how they have ranged their chairs all round by the walls, and the centre of the room is unoccupied, saving here and there maidenhair ferns and growing flowers. Now look at the picture in its fulness! and we see poor old bent and feeble bodies bowed with toil, and faces furrowed by unceasing anxiety; but the sun, the east wind, the sea air and Singholm have brightened and browned them.
There is my poor old friend, long past threescore and ten, to whom Singholm for a time is verily Heaven; but—"Turn on the gramophone, please, matron." Thanks to a kind friend, we have a really good one, with a plentiful supply of records. The matron, in the wickedness of her heart, turns on an orchestral "cakewalk." The band plays, old bodies begin to move and sway, and seventy pair of feet begin unconsciously to beat the floor. Laughter again resounds; our Quaker himself enters into the spirit of it, so I invite him to lead off with the "Queen" for his partner, at which he was dismayed, although he is a veritable son of Anak.
But to my dismay the bent and feeble septuagenarian offered to lead off with myself as partner, at which I collapsed, for alas, I cannot dance. Then our trustee led the roars of laughter that testified to my discomfiture.
So we had no dancing, only a cakewalk. But we had more merriment and music, and then our little evening service. "What hymn shall we have?" Many voices called out, "Sun of my soul," so the matron went to the piano, and I listened while they sang "Watch by the sick, enrich the poor," which for me, whenever the poor, the feeble and aged sing it, has a power and a meaning that I never realise when the organ leads a well-trained choir and a respectable church congregation to blend their voices.
Then I read to them a few words from the old, but ever new, Book, and closed with a few simple, well-known prayers, and then—as old Pepys has it—"to bed."
We watch them file up the great staircase one by one, watch them disappear into their sweet little rooms and clean sheets. To me, at any rate, the picture was more comforting and suggestive than Burne Jones's "Golden Stairs." In fifteen minutes the electric light was switched off, and Singholm was in darkness and in peace. But outside the stars were shining, the flowers still blooming, the garden was full of the mystery of sweet odours; close by the sea was singing its soothing lullaby, and God was over all!
But let us get back to the underworld!
"How long have we lived together, did you ask? well, ever since we were born, and she is sixty-seven," pointing to a paralysed woman, who was sitting in front of the window. "I am two years younger," she continued, "and we have never been separated; we have lived together, worked together, and slept together, and if ever we did have a holiday, we spent it together. And now we are getting old, just think of it! I am sixty-five, isn't it terrible? They always used to call us 'the girls' when mother, father and my brothers were alive, but they have all gone—not one of them left. But we 'girls' are left, and now we are getting old—sixty-five—isn't it terrible? We ought to be ashamed of it, I suppose, but we are not, are we, dear? For we are just 'the girls' to each other, and sometimes I feel as strong and as young as a girl."
"How long have you lived in the top of this four-storey house?" I asked. "Sixteen years," came the reply. "All alone?" "No, sir, we have been together." "And your sister, how long has she been paralysed?" "Before we came to this house." "Does she ever go out?" "Of course she does; don't I take her out in the bath-chair behind you?" "Can she wash and dress herself, do her hair, and make herself as clean and tidy as she is?" "I do it for her."
"But how do you get her down these interminable stairs?" I asked.