Where are ye, pastoral pretty sheep,
That wont to bleat, and frisk, and leap
Beside your woolly dams?
Alas! instead of harmless crooks,
My Corydons use iron hooks,
And skin—not shear—the lambs.

The pipe whereon, in olden day,
The Arcadian herdsman used to play
Sweetly, here soundeth not;
But merely breathes unwholesome fumes,
Meanwhile the city boor consumes
The rank weed—“piping hot.”

All rural things are vilely mock’d,
On every hand the sense is shock’d,
With objects hard to bear:
Shades—vernal shades!—where wine is sold!
And, for a turfy bank, behold
An Ingram’s rustic chair!

Where are ye, London meads and bowers,
And gardens redolent of flowers
Wherein the zephyr wons?
Alas! Moor Fields are fields no more.
See Hatton’s Gardens bricked all o’er,
And that bare wood—St. John’s.

No pastoral scenes procure me peace;
I hold no Leasowes in my lease,
No cot set round with trees:
No sheep-white hill my dwelling flanks;
And Omnium furnishes my banks
With brokers—not with bees.

O! well may poets make a fuss
In summer time, and sigh “O rus!
Of city pleasures sick:
My heart is all at pant to rest
In greenwood shades—my eyes detest
That endless meal of brick!

NO!

No sun—no moon!
No morn—no noon—
No dawn—no dusk—no proper time of day—
No sky—no earthly view—
No distance looking blue—
No road—no street—no “t’other side the way”—
No end to any Row—
No indications where the Crescents go—
No top to any steeple—
No recognitions of familiar people—
No courtesies for showing ’em—
No knowing ’em!—
No travelling at all—no locomotion,
No inkling of the way—no notion—
“No go”—by land or ocean—
No mail—no post—
No news from any foreign coast—
No Park—no Ring—no afternoon gentility—
No company—no nobility—
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member—
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,—
November!


THE LOST HEIR.