’Twas said, indeed, for want of vocal nous,
The stage had banished him when he attempted it,
For tho’ his voice completely filled the house,
It also emptied it.
However, there he stood
Vociferous—a ragged don!
And with his iron pipes laid on
A row to all the neighbourhood.
In vain were sashes closed
And doors against the persevering Stentor,
Though brick, and glass, and solid oak opposed,
Th’ intruding voice would enter,
Heedless of ceremonial or decorum,
Den, office, parlour, study, and sanctorum;
Where clients and attorneys, rogues, and fools,
Ladies, and masters who attended schools,
Clerks, agents, all provided with their tools,
Were sitting upon sofas, chairs, and stools,
With shelves, pianos, tables, desks, before ’em—
How it did bore ’em!
Louder, and louder still,
The fellow sang with horrible goodwill,
Curses both loud and deep his sole gratuities,
From scribes bewildered making many a flaw
In deeds of law
They had to draw;
With dreadful incongruities
In posting ledgers, making up accounts
To large amounts,
Or casting up annuities—
Stunned by that voice, so loud and hoarse,
Against whose overwhelming force
No in-voice stood a chance, of course!
The Actuary pshawed and pished,
And knit his calculating brows, and wished
The singer “a bad life”—a mental murther!
The Clerk, resentful of a blot and blunder
Wished the musician further,
Poles distant—and no wonder!
For Law and Harmony tend far asunder—
The Lady could not keep her temper calm,
Because the sinner did not sing a psalm—
The Fiddler in the very same position
As Hogarth’s chafed musician
(Such prints require but cursory reminders)
Came and made faces at the wretch beneath,
And wishing for his foe between his teeth,
(Like all impatient elves
That spite themselves)
Ground his own grinders.
But still with unrelenting note,
Though not a copper came of it, in verity,
The horrid fellow with the ragged coat,
And iron throat,
Heedless of present honour and prosperity,
Sang like a Poet singing for posterity,
In penniless reliance—
And, sure, the most immortal Man of Rhyme
Never set Time
More thoroughly at defiance!
From room to room, from floor to floor,
From Number One to Twenty-four
The Nuisance bellowed, till all patience lost,
Down came Miss Frost,
Expostulating at her open door—
“Peace, monster, peace!
Where is the New Police!
I vow I cannot work, or read, or pray,
Don’t stand there bawling, fellow, don’t!
You really send my serious thoughts astray,
Do—there’s a dear good man—do go away.”
Says he, “I won’t!”
The spinster pulled her door to with a slam,
That sounded like a wooden d—n,
For so some moral people, strictly loth
To swear in words, however up,
Will crash a curse in setting down a cup,
Or through a doorpost vent a banging oath—
In fact, this sort of physical transgression
Is really no more difficult to trace
Than in a given face
A very bad expression.
However, in she went,
Leaving the subject of her discontent
To Mr. Jones’s Clerk at Number Ten;
Who, throwing up the sash,
With accents rash,
Thus hailed the most vociferous of men:
“Come, come, I say, old feller, stop your chant!
I cannot write a sentence—no one can’t!
So just pack up your trumps,
And stir your stumps—”
Says he, “I shan’t!”
Down went the sash
As if devoted to “eternal smash,”
(Another illustration
Of acted imprecation),
While close at hand, uncomfortably near,
The independent voice, so loud and strong,
And clanging like a gong,
Roared out again the everlasting song,
“I have a silent sorrow here!”
The thing was hard to stand!
The Music-master could not stand it—
But rushing forth with fiddle-stick in hand
As savage as a bandit,
Made up directly to the tattered man,
And thus in broken sentences began—
But playing first a prelude of grimace,
Twisting his features to the strangest shapes,
So that to guess his subject from his face,
He meant to give a lecture upon apes—