He alone was priest, and he alone could interpret this contradictory reading. He knew in his heart what the gods wanted, what they surely must want. Still, the realization brought painful memories. He knew too well what war would mean. He had seen it many times—the flash of mirrored steel in the sunlight, the blood of other men on your hands, the deaths of wise fathers and strong sons.
The worst had been when he and his warriors had stood shoulder to shoulder defending the ancient royal compound at Ife with their lives, when the Fulani from the north had breached the high walls of the city and approached the very entrance of the ruling Oba's palace, those huge sculptured doors guarded by the two sacred bronze leopards. That day he and his men had lost more strong warriors than there were women to mourn them, but by nightfall they had driven out the worshippers of other gods who would take their lands, pillage their compounds, carry away their seed-yams and their youngest wives.
He also knew there could be betrayal. He had seen it during the last season of rains, when the drums had brought news of strangers in the southeastern quarter of the world that was Yorubaland. He and his men had left their compounds and marched all day through the rain. That night, among the trees, they had been fallen upon by Benin slavers, men of black skin who served the branco as a woman serves the payer of her bride-price.
But the men of the Yoruba would never be made to serve. Their gods were too powerful, their ancestors too proud. The Yoruba were destined to rule. Just as they had governed Yorubaland for a thousand years. Theirs was an ancient and noble people, nothing like the half-civilized Ingles on this island. In the great metropolis of Ife, surrounded by miles of massive concentric walls, the Yoruba had lived for generations in wide family compounds built of white clay, their courtyards open to light and air, walking streets paved with brick and stone, wearing embroidered robes woven of finest cotton, sculpting lost-wax bronzes whose artistry no Ingles could even imagine. They did not swelter in patched-together log huts like the Ingles planters here, or in thatched hovels like the Ingles planters' servants. And they paid reverence to gods whose power was far greater than any branco had ever seen.
"The sky has no shadow. It reaches out in all directions to the edge of the world. In it are the sun, the moon, all that is." He paused, waiting for the drums, then continued. "I have gone out into the dark, the void that is night, and I have returned unharmed. I say the Orisa are here, strong. We must make war on the branco to free them once more." He paused again. "No man's day of death can be postponed. It is already known to all the gods. There is nothing we need fear."
After the drums had sent his words across the island, the hut fell quiet. Then there came a voice from a small, wizened man sitting on Atiba's left, a Yoruba older than the rest, with sweat pouring down the wrinkles of his long dark face.
"You are of royal blood, Atiba. Your father Balogun was one of the sixteen royal babalawo of the Oba of Ife, one of the great Awoni. It was he who taught you his skills." He cleared his throat, signifying his importance. "Yet I say you now speak as one who has drunk too many horns of palm wine. We are only men. Ogun will not come forth to carry our shields."
"Old Tahajo, you who are the oldest and wisest here tonight, you know full well I am but a man." Atiba paused, to demonstrate deference. He was chagrined that this elder who now honored his hut had to sit directly on the mud seat, that there was no buffalo skin to take down off the wall for him as there would have been in a compound at Ife. "Though the gods allow me to read their words in the cowries, I still eat the food a woman cooks."
"I know you are a man, son of Balogun, and the finest ever sired in Ife. I knew you even before you grew of age, before you were old enough to tie a cloth between your legs. I was there the day your clan marks were cut in your cheek, those three proud lines that mark you the son of your father. Be his son now, but speak to us today as a man, not as babalawo. Let us hear your own voice."
Atiba nodded and set aside the tray. Then he turned back to the drummer and reached for his gleaming machete. "Since Tahajo wishes it, we will wait for another time to consult more with Ogun and Shango. Now I will hold a sword and speak simply, as a man."