"You're saying one of the girls—?"

"Yeah." She looked wistful for a moment, as though re­membering. "Then she just showed up, looked like some blond college dropout. I guess a little more fanfare would've been nice, but Marcy was there to help me and that was it. That's the last contact I ever had with Children of Light." She shuddered involuntarily. "Till now."

Well, I thought, the last thing I'm going to do is tell her about what I just saw. She's the ideal customer for Alex God­dard: She truly doesn't want to know details.

"Carly, there's not much I can do about what's already happened, but I can try to keep you from getting into any more trouble. Why don't you call them in the morning and tell them you've yelled at me and rescinded your permission for Applecore to use the film? And say I've promised I won't. You've threatened to sue me or something. That should get you off the hook."

"You really think so?" Her look brightened slightly.

"Yes, it's me they're worried about, not you. I represent some threat to them, because of the film I'm making. Just bail out and you'll be okay."

"Thanks. I did get the feeling that's all they really want." She took another drink of water. "But if they wanted to scare me, they're doing a hell of a good job."

"Well, then, why not take Kevin and go away for a couple of weeks? On a vacation someplace? And while you're doing that, I'm going to have a one-on-one with Alex Goddard. I've got a little leverage now."

She looked at me. "What . . . what are you going to do?"

I couldn't tell her about my videotape of his baby cache without explaining a lot more about Children of Light than I thought she wanted to hear.