"Look, don't worry. I'll figure out how to save some money somewhere else."

"Morgy, before we continue this unnerving conversation, we've got to have a serious review of the matter of cash flow." He frowned, then went back to whirling the pencil, his hair backlighted from the wide window, his eyes focused on its stubby eraser as though he'd just discovered a new strain of bacteria. "So let me break some news regarding the current budget."

He put down the pencil, adjusted its location on his desk, and looked up. "I didn't want to have to upset you, since the picture seems to be going so well, but we've drawn down almost all our cash. I actually think that's why Nicky was here today, sniffing around, wanting to see a rough cut. He's got a keen nose for indy cash-flow trouble."

"What are you saying?" It was unsettling to see David turning so serious. "Are we—?"

"I'm saying we can cover the payroll here, all our fixed nut, even Nicky's vig, for maybe six more weeks, if you and I don't pay ourselves. Of course, if we can get an advance on some kind of cable deal, that would tide us over more comfortably till this thing is in the can. But right now we're sailing pretty close on the wind. I've bet Applecore on your picture, Morgan. We can't screw this up."

I swallowed hard. I knew we were working on the edge, but I didn't know the edge was down to six weeks.

"David, I'm all but ready for postproduction. I'm just thinking I may need one more interview. Just a one-day shoot. I'm going to make this picture work. You'll see."

He sighed. "All right, if you think it's essential, get the footage. Maybe I can even shake another fifty out of Nicky, if I string him along about the distribution deal—don't look so alarmed, I won't go through with it. Anyway, I can tell he's impressed with the picture so far. Happy now?"

No, I wasn't happy. What was I going to do if Hannah Klein had bad news? Adoption? I finally was facing the fact I'd possibly been making a movie about myself all this time. Like Yeats, penning his own tombstone. "Cast a cold eye, on life, on death. ."

So why not give him the whole story?