Anyway, I do know I snapped. I started shouting again, and with the G-2 hoods momentarily frozen, I started fling­ing the still-empty bassinets down the steep side of the pyra­mid, where they just bounced away into the rain. As I watched them disappearing, one after another, I felt marvelously em­boldened. I would throw one and watch it go flying, and then I would throw another. Yes, damn it, yes!

I wanted to show anybody with two eyes that it was all a sham. Once they realized what was really happening, surely they would rise up and drive Alex Goddard from their home.

For a moment it seemed to be working. A stunned silence was slowly spreading over the square, while everybody around me was paralyzed, like waxworks. Maybe it's the same way you're temporarily caught off guard when a stranger on the street goes berserk.

By the time I'd flung away the last bassinet, the women had all removed their blindfolds and were staring at me, dumbfounded. Finally, Tz'ac Tzotz's mother whispered something to Marcelina, and she turned to me.

"She wants to know why you're angry. You're the bride. They only want to please you."

Angry? I was terrified, but also fighting mad.

"Marcelina, this is all a ghastly lie." I'd finished throwing and I was moving to the next stage. Get control. Could he risk killing me in front of all these people? "Tell them to take their babies and hide in the forest."

That was when I heard a cry that pierced through the rain and across the square beyond, and I turned back to see Alex Goddard shoving toward me. He's coming to murder me, since I've exposed him. But I wouldn't let it happen without a fight. I clenched my fists, waiting, feeling my adrenaline surge.

Instead, though, he just brushed past me, headed toward the edge of the platform. At first I didn't know why, but he was intent on something off in the mist, his open hands thrust up at the rainy skies.

That was when I heard the Guatemalan Army hoods yell­ing curses.