"Shino ware. Mino region, late sixteenth century. Remarkably fine glaze, considering those kilns had just started firing chawan."
"You have a learned eye, Dr. Vance." He smiled again, glancing down to admire the rough, cracked surface of the rim. "The experts disagree on the age, some saying very early seventeenth century, but I think your assessment is correct. In any case, just handling it always soothes my spirit. The discipline of the samurai is in a chawan like this. And in the cha-no-yu ceremony itself. It's a test I frequently give my Western friends. To see if they can grasp its spirituality. I'm pleased to say that you handled the bowl exactly as you should have. You understand that Japanese culture is about shaping the randomness of human actions to a refined perfection. That's what we really should be discussing here this afternoon, not the world of affairs, but I'm afraid time is short. I often think of life in terms of a famous Haiku by the poet Shiki:
Hira-hira to
Kaze ni nigarete
Cho hitotsu.
"Sounds more like your new airplane," Vance observed, then translated:
A mortal butterfly
Fluttering and drifting
In the wind.
"A passable enough rendering, if I may say, though I don't necessarily accept your analogy." He reached down and lifted a bottle of warmed sake from beside the brazier. "By the way, I know you prefer tequila, one of your odd quirks, but there was no time to acquire any. Perhaps this will suffice."