So why shouldn't Eva end up as the agency's top Russian codebreaker? She was a master at deciphering obscure texts, and she'd spoken Russian all her life. Who better to make a career of cracking secret Soviet communications. Her linguistics Ph.D. was being used to real purpose.
"I want you to help me think some, love," she went on. "I know it may sound a little bizarre, but I'd like to talk about some of the legends surrounding this place. You know, try and sort out fact and fiction."
Now they were headed side by side down the stairway leading into the central court, an expanse of sandstone and alabaster tile glinting golden in the pale sun. On their left a flight of stairs seemed to lead out, but in fact they led right back in again. The deceptions of the palace began at the very entrance.
"The truth is, about all we have is stories, though sometimes stories can be more true than so-called history. The standard version is that this area was where the athletes performed ritual somersaults over the sacred bulls."
The restored frescoes around them showed corridors crowded with lithe Minoan priestesses, eyes rounded with green malachite, faces powdered white, lips a blood red. They all were bare-breasted, wearing only diaphanous chemises, while their jewels glistened in the sunshine as they fanned themselves with ostrich plumes.
There were no frescoes, however, of the powerful, bloodthirsty King Minos.
"Michael," she called out, her voice echoing off the hard walls, "you know, this place has always felt a little sinister to me. None of the lightness and gaiety in those frescoes seems real."
"That's part of what made me start wondering if the Minoans hadn't somehow managed to make a monkey out of every ponderous scholar on the planet." They were moving down the monumental grand staircase, three restored flights of which had originally been five, toward the rooms called the royal chambers. "Maybe the reason this place had no walls or fortifications was because you only came here when you were dead. Who the hell knows."
Whatever the truth was, the eerie feeling of the palace seemed to make the ancient stories even more vivid. The legends told that King Minos's wife, Pasiphae, had a burning passion for one of the sacred white bulls he kept, so she arranged for his chief architect, Daedalus, to design a hollow wooden cow for her covered over with a hide. She concealed herself inside and, as luck would have it, lured one of the beasts. The progeny of that union was equally beastly—the Minotaur, a monster with a human body and a bull's head.
Now they were rounding a final corner in the twisting maze of stairs. Directly ahead was the boudoir of the queen. The past welled up for him.