Sunday, April 5
9:00 a.m.
When Ally and Knickers walked into her lobby, Alan, the morning doorman, was there, just arrived, tuning his blond acoustic guitar.
Watching over her condominium building was his day job, but writing a musical for Off Broadway (about Billy the Kid) was his dream. He was a tall, gaunt guy with a mane of red hair he kept tied back in a ponytail while he was in uniform and on duty. Everybody in the building was rooting for him to get his show mounted, and he routinely declared that he and his partner were this close to getting backers. "We're gonna have the next Rent, so you'd better invest now" was how he put it. Alan had the good cheer of a perpetual optimist and he needed it, given the odds he was up against.
Knickers immediately ran to him, her tail wagging.
"Hey, Nicky baby, you look beautiful," he effused. Then he struck a bold E minor chord on his guitar, like a flamenco fanfare, and reached to pat her. "Come here, sweetie."
"Hi, Alan. How's everything?" Seeing him always bucked Ally up. He usually came on duty while she was out for her run, and she looked forward to him as her first human contact of the day. He was younger than she was—early thirties—but she thought him attractive in an East Village, alternative‑lifestyle sort of way. He was very proud of the new yin and yang tattoos on his respective biceps. She admired his guts and his willingness to stick to his dream, no matter the degradation of his life in the meantime.
"Doing great, Ms. Hampton. Things are moving along."