That was when she remembered she had read somewhere that he had a wife named Eileen. But why did she have a separate doorbell? Winston Bartlett had a tabloid reputation as a womanizer. Perhaps they lived apart. If so, there it was, for all the world to see.

She found herself examining the late Greek Revival columns on either side of the door. They were marble and meticulously cleaned of soot, whose ubiquitous presence in New York meant that eventually everything not regularly scrubbed turned gray. It told her that Winston Bartlett liked things to be immaculate and that he was a stickler when it came to details.

She glanced up and noticed that she was being observed by a security camera. She was reaching out to push the bell for w. bartlett when the door magically opened. A tall, trim Japanese man in a crisp black suit was standing in the doorway. But he had a muscular build that would be more appropriate for a bodyguard than a butler.

"Hello," she said. "I have an appointment with—"

"Yes." He nodded, appearing to know exactly who she was. "He's upstairs in the library. Please . . ."

She'd expected a grand central staircase in the Palladian design, but instead there were elevators off to the left of the entryway. But even without an obvious staircase, the ground floor and its fifteen‑foot ceiling were palatial in every sense of the term. The marble floors were covered with antique, and expensive, Persian rugs, and the light tan wallpaper was flecked with gold leaf, giving the feeling it could have been meticulously stripped from some palazzo in Venice. The lighting fixtures were a row of chandeliers down the middle of the vast room, and at the back was a dining table that appeared to be large enough to seat thirty dinner guests. The architecture was a showpiece for the extravagant taste of some Victorian "enemy of the people."

But what really set it apart was that the walls were lined with exquisitely severe antique swords and armor from Japan. In a way, the room felt like the foyer of a boutique museum, an adjunct of the Asia Society.

The Japanese man directed her to one of the elevators, and then got in with her. She still couldn't decide whether he was a butler or a bodyguard. He had the polished demeanor of the first, but the strapping body and deft movements of the latter. Maybe he was both. In any case, he looked like he would be quite at ease brandishing one of those long samurai swords.

The elevator had dark paneling and smelled of freshness, partly fresh wood and partly fresh lacquer. It was utterly silent as it glided up to the third floor. When the door opened, she stepped into what appeared to be a large den/library, except that there was a huge four‑poster antique bed at the far corner, with its drapes drawn around the side. It was definitely something out of another place and time. Was this Bartlett's bedroom? The space was magisterial.

In the other corner was a wide mahogany desk covered with phones and papers and two computers. From his photos, she recognized the man rising to greet her as Winston Bartlett. Seeing him in the flesh, she first noticed that there was something in his eyes that in another man might be called ruthless, but in him it merely came off as determined. They were eyes that were accustomed to getting what they wanted—be it a company, a building, a woman.