My God, it's a gurz, the three-headed club some of the Rajputs carry on their saddle. It's a killer.
He heard it arc above him, singing through the dark. Unlike the Rajputs, he had no leather helmet, no padded armor. There was no time to avoid the blow, but he had the pistol now, and he shoved it into the man's gut and squeezed.
There was a sudden blinding flash of light. It started at his hand, but then it seemed to explode inside his skull. The world had grown white, like the marble walls of Mukarrab Khan's music room, and for a moment he thought he heard again the echo of drumbeats. The cycle swelled sensuously, then suddenly reached its culmination, when all pent-up emotion dissolved. In the silence that followed, there was only the face of Mukarrab Khan, surrounded by his eunuchs, his smile slowly fading into black.
The light of a single flame tip burned through the haze of his vision, and then he heard words around him, in a terse language as ancient as time. He tried to move, and an aching soreness shot through his shoulders and into his groin. His head seemed afire.
I must be dead. Why is there still pain?
He forced his swollen eyelids wider, and a room slowly began to take form. It was a cell, with heavy bamboo slats over the windows and an ancient wooden latch on the door. The floor was earth and the walls gray mud with occasional inscriptions in red. Next to him was a silhouette, the outline of a man squatting before an oil lamp and slowly repeating a sharp, toneless verse. He puzzled at the words as he studied the figure.
It's the language of the priest at the wedding. It must be Sanskrit. But who . . . ?