Who are they protecting me from?

A servant, with skin the color of ebony and a white turban that seemed to enclose a large part of his braided and folded-up beard, pushed open an interior door to deposit a silver tray. More fried bread and a bowl of curds.

"Where am I? Whose house . . . ?"

The man bowed, made hand signs pleading incomprehension, and retreated without a word.

As Hawksworth started to reach for a piece of the bread, the outer door opened, and one of the guards stepped briskly to the tray and stopped his hand. He said nothing, merely signaled to wait. Moments later another guard also entered, and with him was a woman. She was unveiled, with dark skin and heavy gold bangles about her ankles. She stared at Hawksworth with frightened eyes. Brisk words passed in an alien language, and then the woman pointed to Hawksworth and raised her voice as she replied to the guard. He said nothing, but simply lifted a long, sheathed knife from his waist and pointed it toward the tray, his gesture signifying all. After a moment's pause, the woman edged forward and gingerly sampled the curds with her fingers, first sniffing and then reluctantly tasting. More words passed, after which the guards bowed to Hawksworth almost imperceptibly and escorted the woman from the room, closing the door.

Hawksworth watched in dismay and then turned again to examine the dishes.

If they're that worried, food can wait. Who was she? Probably a slave. Of the Shahbandar?

He removed his boots, tossed them in the corner, and eased himself onto the bolsters piled at one end of the central carpet. The wound in his leg had become a dull ache.

Jesus help me, I'm tired. What does the Shahbandar really want? Why was Karim so fearful of him? And what's the role of the governor in all this? Will all these requests and permissions and permits end up delaying us so long the Portugals will find our anchorage? And what will the governor want out of me?

He tried to focus his mind on the governor, on a figure he sculpted in his imagination. A fat, repugnant, pompous bureaucrat. But the figure slowly began to transform, and in time it became the Turk who had imprisoned him in Tunis, with a braided fez and a jeweled dagger at his waist. The fat Turk was not listening, he was issuing a decree. You will stay. Only then will I have what I want. What I must have. Next a veiled woman entered the room, and her eyes were like Maggie's. She seized his hand and guided him toward the women's apartments, past the frowning guards, who raised large scimitars in interdiction until she waved them aside. Then she led him to the center of a brilliantly lighted room, until they stood before a large stone pillar, a pillar like the one in the porters' lodge except it was immense, taller than his head. You belong to me now, her eyes seemed to say, and she began to bind him to the pillar with silken cords. He struggled to free himself, but the grasp on his wrists only became stronger. In panic he struck out and yelled through the haze of incense.