. . .
The believing mind is not dual;
What is dual is not the believing mind.
Beyond all language,
For it there is no past, no present, no future.7
Since the earliest historical sources maintain that Seng-ts'an left no writings, some have questioned the attribution of this lilting work to the Third Patriarch. Whatever its authorship, the real importance of the poem lies in its subtle merging of Taoism and Buddhism. We can watch as the voices of ancient China and ancient India are blended together into a perfect harmony until the parts are inseparable. It was a noble attempt to reconcile Buddhist metaphysics with Chinese philosophical concepts, and it was successful in a limited way. As for Seng-ts'an, the legends tell that he finally was overcome by his longing for the south and, handing down the symbols of the patriarchy to a priest named Tao-hsin, he vanished.
[TAO-HSIN, THE FOURTH PATRIARCH (580-651)]
China, whose political turmoil had sent the early Patriarchs scurrying from one small kingdom to another, found unity and the beginnings of stability under a dynasty known as the Sui (581-618), the first in three and a half centuries (since the end of the Han in 220) able to unify the land.8 This brief dynasty (which soon was replaced by the resplendent T'ang) came to be dominated by the Emperor Yang, a crafty politician who maneuvered the throne away from an elder brother—partially, it is said, by demonstrating to his parents his independence of mind by abandoning all the children he begat in the ladies' quarters. Whereas his father had undertaken the renovation of the North Chinese capital of Ch'ang-an—not incidentally creating one of the glories of the ancient world and the site of the finest moments of the later T'ang Dynasty—Emperor Yang decided to reconstruct the city of Loyang, some two hundred miles to the east. The result was a "Western Capital" at Ch'ang-an and an "Eastern Capital" at Loyang, the latter city soon to be the location of some pivotal episodes in Ch'an history.
For the construction of Loyang, a fairyland of palaces and gardens, millions of citizens were conscripted and tens of thousands died under forced labor. Emperor Yang's other monument was a grand canal, linking the Yellow River in the north with the rich agricultural deltas of the Yangtze in the south, near Nanking. The emperor loved to be barged down this vast waterway—journeys that unsympathetic historians have claimed were merely excuses to seek sexual diversions away from the capital. In any case, his extravagances bankrupted the country and brought about his overthrow by the man who would become the founder of the T'ang Dynasty, later to reign under the name of Emperor T'ai-tsung (ruled 626-49).
The T'ang is universally regarded as one of the great ages of man, and it is also considered the Golden Age of Ch'an. The founding emperor, T'ai-tsung, was a wise and beneficent "Son of Heaven," as Chinese rulers were styled.9 Under his influence, the capital city of Ch'ang-an became the most cosmopolitan metropolis in the ancient world, with such widespread influence that when the first visiting Japanese came upon it, they were so dazzled they returned home and built a replica for their own capital city. The city was laid out as a grid, with lavish vermilion imperial palaces and gardens clustered regally at one end. Its inhabitants numbered upward of two million, while its international markets and fleshpots were crowded with traders from the farthest reaches of Asia and Europe, echoing with a truly astounding cacophony of tongues: Indian, Japanese, Turkish, Persian, Roman Latin, and Arabic, not to mention the many dialects of Chinese. Christians moved among the Buddhists, as did Muslims and Jews. Artisans worked with silver, gold, jewels, silks, and porcelains, even as poets gathered in wine shops to nibble fruits and relax with round-eyed foreign serving girls. Such were the worldly attractions of Ch'ang-an during the early seventh century. This new sophistication and urbanization, as well as the political stability that made it all possible, was also reflected in the change in Ch'an—from a concern chiefly of nomadic dhyana teachers hiding in the mountains to the focus of settled agricultural communities centered in monasteries.