These two masters, Nan-yueh Huai-jang (677-744) of Hunan and Ch'ing-yuan Hsing-ssu (d. 740) of Kiangsi, were made the missing links between Hui-neng and the two schools of Ch'an that would one day become Japanese Rinzai and Soto, respectively. Since the lineage most important for the early years of Ch'an's Golden Age was that which would one day be the Rinzai school, the tradition of Huai-jang will be examined here first. As noted above, although the legend says that Huai-jang once studied under the Sixth Patriarch, Hui-neng, supporting historical evidence is not readily found. However, he is thought to have studied under another follower of the Fifth Patriarch Hung-jen and to have been a part of the general scene of Southern Ch'an.5 His actual function may have been to supply a direct line of descent between Hui-neng and the man who was to be the creator of Rinzai Zen as we know it today.
That man is the famous Ma-tsu Tao-i (709-788), who even if not a direct spiritual descendant of Hui-neng was certainly a product of the same exciting period of intellectual ferment. According to the more or less contemporary record left by the northern historian Tsung-mi, Ma-tsu (which means "Patriarch Ma") was a native of Szechuan who was ordained a monk at an early age by a Korean master in his home province.6 Young Ma traveled on, as was common with beginning Ch'an monks, and (so say the later legends) finally came to the monastery of Huai-jang, located on Mt. Nan-yueh. The story of their first encounter became a standard among later Ch'an masters, for it is a particularly effective discrediting of that onetime Ch'an mainstay, meditation, which became anathema to the more revolutionary Southern school.
As the story goes, Huai-jang one day came upon Ma-tsu absorbed in meditation and proceeded to question the purpose of his long bouts of dhyana. Ma-tsu immediately replied, "I want to become a Buddha, an enlightened being."
Saying nothing, Huai-jang quietly picked up a brick and started rubbing it on a stone. After a time Ma-tsu's curiosity bested him and he inquired, "Why are you rubbing that brick on a stone?"
Huai-jang replied, "I am polishing it into a mirror."
Ma-tsu probably knew by this time that he had been set up, but he had to follow through: "But how can you make a mirror by polishing a brick on a stone?"
The celebrated answer was: "How can you become enlightened by sitting in meditation?"
The point, driven home time and again throughout the eighth century, was that enlightenment is an active, not a passive, condition. And Ma-tsu himself was to become the foremost exponent of enlightenment as a natural part of life.
Ma-tsu always made a profound impression on his contemporaries, and no small part may be attributable to his peculiar physical traits. As The Transmission of the Lamp describes him:
In appearance and bearing he was most striking. He glared as a tiger does and he ambled like a cow. He could touch his nose with his tongue, and on the soles of his feet were wheel-shaped marks [physical qualities also attributed to the Buddha]. During the period [of 713-41] he studied the dhyana . . . under Master Huai-jang, who then had nine disciples. Of these only [Ma-tsu] received the sacred mind seal.7