This division also resulted in two versions of the sutras being canonized. That revered by the Hinayanists is known as the Pali Canon and was set down in the Pali language (a dialect of Indian Sanskrit) around 100 b.c. The sutras of the eclectic Mahayanists grew over the centuries, with additions in Sanskrit, Tibetan, and, later, Chinese. In addition to the original thoughts of the Buddha, they included large sections of commentary or secondary material. The Chinese, particularly, had strong speculative minds and thought nothing of amending the teachings of a simple Indian teacher. The Indians also found the Buddha's thought a shade too austere for their tastes, but instead of embellishing it as the Chinese did, they gradually plowed it back into the theological melange of pantheistic Hinduism until it finally lost any separate identity.
Buddhism is said to have officially reached China during the first century a.d., and after some three hundred years of adjusting it to suit their established teachings of Confucianism and Taoism, the Chinese embraced it as their own. (It was the admittance of Taoist beliefs into Chinese Buddhism that laid the foundations for the school of Ch'an Buddhism, the parent of Japanese Zen.) Buddhism did not replace the two earlier Chinese religions but, rather, provided an alternative spiritual framework wherein the Chinese, structured, Confucianist bent of mind could be merged with their Taoist yearning for mystical philosophy to produce a native religion at once formal and introspective. During the third, fourth, and fifth centuries a virtual parade of Indian Mahayana Buddhist teachers traveled north around the high Himalayas and into China, there to dispense their own respective brands of the Buddha's thought. The Chinese, on their part, set about importing Indian Sanskrit sutras and translating them via a process whereby Indian philosophical concepts were rendered directly by pre-existing Chinese terms—the literal pounding of round Indian pegs into square Chinese holes. Since no more effective way has yet been found to destroy the originality of foreign ideas than to translate them word for word into the nearest native approximation, Chinese Buddhism became, in many ways, merely a rearrangement of existing Chinese philosopThes.
The date Chinese Buddhism was introduced to Japan has traditionally been set at a.d. 552. In that year, the records state, a Korean monarch, fearful of belligerent neighbors, appealed to the Japanese for military assistance, accompanying his plea with a statue of the Buddha and a missal of sutras. Since the Japanese had for many centuries reserved their primary allegiance for their sun-goddess, whose direct descendant the emperor was thought to be, they were wary of new faiths that might jeopardize the authority of the native deities. After much high-level deliberation it was decided to give the Buddha a trial period to test his magical powers, but unfortunately no sooner had the new image been set up than a pestilence, apparently smallpox, swept the land. The new Buddha was swiftly consigned to a drainage canal by imperial decree.
Twenty years later a new emperor came to the throne, and he was persuaded to give the Buddha another try by a political faction which thought a new religion might undermine the theological position of the established nobility. By odd coincidence, no sooner had a new Buddha been imported than another plague broke out. The new Buddha statue and all accompanying trappings were disposed of, but the plague only worsened, allowing the pro-Buddhist faction to turn the tragedy to their advantage by blaming those who had desecrated the statue. After more political maneuvering, this faction took the somewhat unprecedented step of assassinating the hesitant emperor in order to ensure a place for Buddhism in Japanese life. Finally the faith did catch hold, and, by the beginning of the seventh century, temples and pagodas were being built.
As interest grew in both the doctrines of the Buddha and the political innovations of the new T'ang dynasty, which had come to power in China in 618, the Japanese aristocracy began to copy Chinese civilization, gradually abandoning much of their indigenous culture. Although new Japanese monks were soon writing and reciting Chinese sutras, Buddhist ideas, now twice removed from their Indian origins, were grasped imperfectly if at all by most Japanese. Indeed, few of the early aristocracy who professed Buddhism viewed it as anything other than a powerful new form of magic—a supplement to the native gods, or kami, who presided over harvests and health. Given the difficulty Japanese scholars had in understanding Chinese texts, it is easy to sympathize with later Zen monks who claimed the sutras were mainly a barrier to enlightenment.
Three fundamental types of Buddhism preceded Zen in Japan: the early scholarly sects which came to dominate Nara; the later aristocratic schools whose heyday was the noble Heian era; and, finally, popular, participatory Buddhism, which reached down to the farmers and peasants. The high point of Nara Buddhism was the erection of a giant Buddha some four stories high whose gilding bankrupted the tiny island nation but whose psychological impact was such that Japan became the world center of Mahayana Buddhism. The influence of the Nara Buddhist establishment grew to such proportions that the secular branch of government, including the emperor himself, became nervous. The solution to the problem was elegantly simple: the emperor simply abandoned the capital, leaving the wealthy and powerful temples to preside over a ghost town. A new capital was established at Heian (present-day Kyoto), far enough away to dissipate priestly meddling.
The second type of Buddhism, which came to prominence in Heian, was introduced as deliberate policy by the emperor. Envoys were sent to China to bring back new and different sects, enabling the emperor to fight the Nara schools with their own Buddhist fire. And this time the wary aristocracy saw to it that the Buddhist temples and monasteries were established well outside the capital—a location that suited both the new Buddhists' preference for remoteness and the aristocracy's new cult of aesthetics rather than religion.
The first of the Heian sects, known as Tendai after the Chinese T'ien-t'ai school, was introduced into Japan in 806 by the Japanese priest Saicho (767-822). The Tendai stressed the authority of the Lotus Sutra, which recognized the Buddha as both an historical person and the realization in human form of the universal spirit—an identity implying the oneness of the latent Buddha nature in all matter, animate and inanimate. Although the school was avowedly eclectic, embracing all the main Mahayana doctrines, it was bitterly opposed by the Nara schools, which campaigned unsuccessfully to convert Tendai novices. Saicho countered their opposition by pointing out that his Buddhism was based on an actual sutra, purportedly the Buddha's own words, whereas the schools of Nara had contented themselves primarily with wrangling over commentaries or secondary interpretations of the Buddha's teachings. Saicho also introduced the question of individual morality, a concern conspicuously absent in Nara Buddhism.
The Tendai sect became dominant during the ninth and tenth centuries, when its center on Mt. Thei (on the outskirts of Kyoto) swelled to over three thousand buildings. Although Saicho himself appears to have been benign in nature, practicing the principles of morality he taught, in later years the Mt. Thei Tendai complex became the base for an army of irascible monks who frequently descended upon Kyoto to harass courtiers and citizens alike. In the late sixteenth century, the entire complex was burned to the ground and thousands of monks slaughtered by a fierce shogun who was determined to stop the intervention of Tendai monks in public affairs. Tendai survives today as a religion primarily of the upper classes, with a membership of something over a million, but even by the end of the Heian era it had become mainly ceremonial.
The other Buddhist sect to gain prominence during the Heian era was Shingon, founded by a younger contemporary of Saicho named Kukai (774-835). He also went to China, where he studied teachings of the Che-yen school, a type of Buddhism known as "esoteric" because of its kinship to the mystical Tantrism of Tibet. The elaborate rituals of the Japanese Shingon temples were an immediate success with the ceremonially minded Heian aristocracy. Shingon was superb theater, with chants, incantations, sacred hand signs (mudra), and meditation on the sacred mandala—geometrical diagrams purportedly containing the key to the cosmological meaning of reality. The headquarters for the Shingon school was established on Mt. Koya, near Kyoto but sufficiently removed that the monks were not tempted to dabble in state affairs. Nevertheless, in later years it too became a stronghold for mercenary warrior-monks, with the result that it also was chastened by an outraged shogun. Today there are Shingon monasteries in remote mountain areas, standing regal and awesome in their forested isolation, and the sect still claims over nine million practitioners, scattered among a host of offshoots.