Then the break of dawn and the sunrise, where can they be ever seen in perfection but from a coach roof? You want motion and change and music to see them in their glory; not the music of singing men and singing women, but good silent music, which sets itself in your own head, the accompaniment of work and getting over the ground.

The Tally-ho is past St. Albans,[23] and Tom is enjoying the ride, though half frozen. The guard, who is alone with him on the back of the coach, is silent, but has muffled Tom's feet up in straw, and put the end of an oat-sack over his knees. The darkness has driven him inward, and he has gone over his little past life, and thought of all his doings and promises, and of his mother and sister, and his father's last words; and has made fifty good resolutions, and means to bear himself like a brave Brown as he is, though a young one. Then he has been forward into the mysterious boy-future, speculating as to what sort of a place Rugby is, and what they do there, and calling up all the stories of public schools which he has heard from big boys in the holidays. He is chock full of hope and life, notwithstanding the cold, and kicks his heels against the backboard, and would like to sing, only he doesn't know how his friend the silent guard might take it.

"PULLING UP."

And now the dawn breaks at the end of the fourth stage,[24] and the coach pulls up at a little road-side inn with huge stables behind. There is a bright fire gleaming through the red curtains of the bar-window, and the door is open. The coachman catches his whip into a double thong, and throws it to the ostler; the steam of the horses rises straight up into the air. He has put them along over the last two miles, and is two minutes before his time. He rolls down from the box and into the inn. The guard rolls off behind. "Now, sir," says he to Tom, "you just jump down, and I'll give you a drop of something to keep the cold out."

Tom finds a difficulty in jumping, or, indeed, in finding the top of the wheel with his feet, which may be in the next world, for all he feels; so the guard picks him off the coach-top, and sets him on his legs, and they stump off into the bar, and join the coachman and the other outside passengers.

Here a fresh-looking barmaid serves them each with a glass of early purl[25] as they stand before the fire, coachman and guard exchanging business remarks. The purl warms Tom up and makes him cough.

"Rare tackle[26] that, sir, of a cold morning," says the coachman, smiling. "Time's up." They are out again and up; coachee the last, gathering the reins into his hands and talking to Jem, the ostler, about the mare's shoulder, and then swinging himself up on to the box,—the horses dashing off in a canter before he falls into his seat. Toot-toot-tootle-too goes the horn, and away they are again, five-and-thirty miles on their road (nearly half way to Rugby, thinks Tom), and the prospect of breakfast at the end of the stage.

MORNING SIGHTS AND DOINGS.

And now they begin to see, and the early life of the country-side comes out: a market cart or two, men in smock-frocks going to their work, pipe in mouth, a whiff of which is no bad smell this bright morning. The sun gets up, and the mist shines like silver gauze. They pass the hounds jogging along to a distant meet,[27] at the heels of the huntsman's hack,[28] whose face is about the color of the tails of his old pink,[29] as he exchanges greetings with the coachman and guard. Now they pull up at a lodge,[30] and take on board a well-muffled-up sportsman, with his gun-case and carpet-bag. An early up-coach meets them and the coachmen gather up their horses, and pass one another with the accustomed lift of the elbow, each team doing eleven miles an hour, with a mile to spare behind, if necessary. And here comes breakfast.