A most unexpected and interesting defender of Father Garnet, who had been put to death by James, appeared at this juncture. He was no less a personage than Antoine Arnauld, the famous Jansenist, who was at that very moment tearing Garnet's brethren to pieces in France. "No Catholic," he said, "no matter how antagonistic he might be to Jesuits in general, would ever accuse Garnet of such a crime, and no Protestant would do so unless blinded by religious hate" (Crétineau-Joly, III, 98). James I and Bellarmine came into collision again on another point not, however, in such a personal fashion.
A Scotch lawyer named Barclay had written a book on the authority of kings, in which he claimed that their power had no limitations whatever; at least, he went to the very limit of absolutism. Strange to say, Barclay, who was a Catholic, had Jesuit affiliations. He was professor of law in the Jesuit college of Pont-à-Mousson, in France, where his uncle, Father Hay, was rector. For some reason or another he went over to England shortly after the accession of James I, whom he greatly admired, possibly because he was a Scot. There is no other reason visible to the naked eye. He was received with extraordinary honor at court and offered very lucrative offices if he would declare himself an Anglican. He spurned the bribe and returned to France where he resumed his office of teaching. Cardinal Bellarmine then appeared, refuting Barclay's ideas of kingship. The peculiarity of Bellarmine's work was that it had nothing new in it. It was merely a collation of old authorities, chiefly French jurists who cut down the royal power considerably. This threw the Paris parliament into a frenzy, for they had all along been persuading their fellow countrymen that the autocracy they claimed for their monarchs was the immemorial tradition of France. To hide their confusion, they ascribed to the illustrious cardinal all sorts of doctrines, such as regicide and the right of seizure of private property by the Pope, and they demanded not only the condemnation but the public burning of the book.
The matter now assumed an international importance. Bellarmine was a conspicuous figure in the Church, and his work had been approved by the Pope, whose intimate friend he was. To condemn him meant to condemn the Sovereign Pontiff, and would thus necessarily be a declaration of a schism from Rome. Probably that is what these premature Gallicans were aiming at. Ubaldini, the papal nuncio, immediately warned the queen regent, Mary de'Medici, that if such an outrage were committed, he would hand in his papers and leave Paris. Parliament fought fiercely to have its way, and the battle raged with fury for a long time until, finally, Mary saw the peril of the situation and quashed the parliamentary decree which had already been printed and was being circulated.
In the midst of it all, the theory of Suárez on the "Origin of Power" came into the hands of the parliamentarians, and that added fuel to the flame; Ubaldini wrote to Rome on June 17, 1614, that "the lawyer Servin, who was like a demon in his hatred of Rome, made a motion in parliament, first, that the work of Suárez should be burned before the door of the three Jesuit houses in Paris, in presence of two fathers of each house; secondly, that an official condemnation of it should be entered on the records; thirdly, that the provincial, the superior of the Paris residence and four other fathers should be cited before the parliament and made to anathematize the doctrine of Suárez, and fourthly, if they refused, that all the members of the Society should be expelled from France." The measure was not passed.
The book which did most harm to the Society in the public mind was the "Lettres provinciales" by Pascal, though the "Lettres" were not intended primarily or exclusively as an attack on the Jesuits. Their purpose was to make the people forget or condone the dishonesty of the Jansenists in denying that the five propositions, censured by the Holy See, were really contained in the "Augustinus" of Jansenius. At the suggestion of Arnauld, Pascal undertook to show that other supposedly orthodox writers, including the Jesuits, had advanced doctrines which merited but had escaped censure. The letters appeared serially and were entitled: "Les Provinciales, ou Lettres écrites par Louis de Montalte à un Provincial de ses amis, et aux RR. PP. Jésuites, sur la morale et la politique de ces Pères." They took the world by storm, first because they revealed a literary genius of the first order in the youthful Pascal, who until then had been engrossed in the study of mathematics, and who was also, at the time of writing, in a shattered state of health. Secondly, because they blasted the reputation of a great religious order, and reproduced in exquisite language the atrocious calumnies that had been poured out on the world by the "Monita secreta," the "Historia jesuitici ordinis," Pasquier's "Catechism" and the rest. The doctrinal portion of the letters was evidently not Pascal's; that was supplied to him by Arnauld and Quinet, for Pascal had neither the time nor the training necessary even to read the deep theological treatises which he quotes and professes to have read.
To be accused of teaching lax morality by those who were intimately associated with and supported by such an indescribable prelate as the Cardinal Archbishop of Paris, Gondi, was particularly galling to the French Jesuits, and unfortunately it had the effect of provoking them to answer the charges. "In doing so," says Crétineau-Joly, "the Jesuits killed themselves;" and Brou, in "Les Jésuites et la légende," is of the opinion that "more harm was done to the Society by these injudicious and incompetent defenders than by Pascal himself. It would have been better to have said nothing." On the other hand, Petit de Julleville, in his "Histoire de la langue et de la littérature française," tells us that one of these Jesuit champions induced Pascal to discontinue his attacks, just at the moment that the world was rubbing its hands with glee and expecting the fiercest kind of an onslaught. "I wish," said Morel, addressing himself to Pascal, "that after a sincere reconciliation with the Jesuits, you would turn your pen against the heretics, the unbelievers, the libertines, and the corruptors of morals." The fact is that although Pascal did not seek a reconciliation with the Jesuits, he suddenly and unaccountably stopped writing against them; and in 1657 he actually turned his pen against the libertines of France, as he had been asked (IV, 604). Mère Angélique, Arnauld's sister, is also credited with having had something to do with this cessation of hostilities, when she wrote: "Silence would be better and more agreeable to God who would be more quickly appeased by tears and by penance than by eloquence which amuses more people than it converts."
Perhaps the entrance of the great Bourdaloue on the scene contributed something to this change of attitude on the part of the Jansenist. As court preacher, he had it in his power to refute the calumnies of Arnauld and Pascal, and he availed himself of the opportunity with marvellous power and effect. In the "Causeries du Lundi" Sainte-Beuve, who favored the Jansenists, writes: "In saying that the Jesuits made no direct and categorical denial to the Provinciales, until forty years later, when Daniel took up his pen, we forget that long and continual refutation by Bourdaloue in his public sermons in which there is nothing lacking except the proper names; but his hearers and his contemporaries in general, who were familiar with the controversies and were partisans of either side, easily supplied these. Thus in his Sermon on 'Lying' he paints that vice with most exquisite skill, adding touch after touch, till it stands out in all its hideousness. As he speaks, you see it before you with its subtle sinuosities from the moment it begins the attack, under the pretence of an amicable censorship, up to the moment when the complete calumny is reiterated under the guise of friendship and religion." The following extract is an example of this method.
"One of the abuses of the age," says Bourdaloue, "is the consecration of falsehood and its transformation into virtue; yea, even into one of the greatest of virtues: zeal for the glory of God. 'We must humiliate those people;' they say, 'it will be helpful to the Church to blast their reputation and diminish their credit.' On this principle they form their conscience, and there is nothing they will not allow themselves when actuated by such a charming motive. So, they exaggerate; they poison; they distort; they relate things by halves; they utter a thousand untruths; they confound the general with the particular; what one has said badly, they ascribe to all; and what all have said well they attribute to none. And they do all this — for the glory of God. This forming of their intention justifies everything; and though it would not suffice to excuse an equivocation, it is more than sufficient in their eyes to justify a calumny when they are persuaded that it is all for the service of God."
"If Bourdaloue," continues Sainte-Beuve, "while detailing, in this exquisite fashion, the vice of lying, had not before his mind Pascal and his Provinciales, and if he was not painting, feature by feature, certain personalities whom his hearers recognized; and if while he was doing it, they were not shocked, even though they could not help admiring the artist, then there are no portraits in Saint-Simon and La Bruyère.... It would not be hard to prove that the preaching of Bourdaloue for thirty years was a long and powerful refutation of the Provinciales, an eloquent and daily drive at Pascal."
It must have been an immense consolation for the Jesuits of those days, wounded as they were to the quick by the misrepresentation and calumnies of writers like Arnauld, Pascal, Nicole and others, to have the saintly Bourdaloue, the ideal Jesuit, occupying the first place in the public eye, thus defending them. Bourdaloue had entered the Society at fifteen, and hence was absolutely its product. He was a man of prayer and study, and when not in the pulpit he was in the confessional or at the bedside of the sick and dying poor. He was naturally quick and impulsive, but he had been trained to absolute self-control; he was even gay and merry in conversation, and his eyes sparkled with pleasure as he spoke. The story that he closed them while preaching is, of course, nonsense, and the picture that represents him thus was taken from a death masque. He labored uninterruptedly till he was seventy-two and died on May 13, 1704. Very fittingly his last Mass was on Pentecost Sunday.