Joe Hurley might be gay, irresponsible, reckless, even downright wicked; but he never could fail to be kind. Two years of close contact with the blithe Westerner—those final two years at college before Hunt went to the divinity school—had assured the latter that Joe Hurley owned a heart of gold. The gold might be tarnished, but it was true metal nevertheless.

Hunt’s mental picture of his college friend, and never had scholastic friendship been more astounding, could not include any great blemish of later-developed character. It was five years since they had seen each other. Those five years could not have made of Joe Hurley the “roughneck” that he intimated he had become. That was Joe’s penchant for painting with a wide brush.

The reputation the Westerner had left behind him at college when he was requested by a horrified governing board to depart for the sake of the general welfare of the undergraduate body, revealed Joe’s character unequivocally.

When Joe had been “bounced” by the faculty he had celebrated the occasion by giving a farewell banquet at one of the shadiest hotels in the college town, to the wildest crowd of students he could get together. On his own part Joe had dressed in full cowboy regalia, and as the apex of the evening’s entertainment he had “shot up” the banquet room, paying the bill for damages the next morning with a cheerful smile.

The Reverend Willett Ford Hunt remembered the occasion now with a little shiver of apprehension. Suppose the people of Ditson Corners should ever learn that he, their pastor, had been one of that company who had helped Joe Hurley celebrate his dismissal from scholastic halls!

Joe’s father, a cattleman, had left him a considerable fortune. Joe had invested much of it in a certain mining claim called the Great Hope, for the young fellow had been keen enough to see that the day of the small cattleman was gone. The mine was paying a comfortable income with the promise of doing more than that in the future, so Joe wrote. But he wrote more—much more that was exceedingly interesting to Hunt in his present discontented state of mind.

He picked up the letter again to re-read a part of the third page, this broken sentence first meeting his envious eye:

... and if ever there was a peach, she surely is one, Willie. Golden-brown hair, big blue eyes, and a voice—Say! No songbird ever had anything on Nell. If you once saw her and heard her sing, you’d go crazy about her, old sobersides. All Canyon Pass—I mean the men-folks—are at her feet again, now she has returned to town and is singing in Colorado Brown’s cabaret. Sounds sort of devilish and horrid, doesn’t it, Willie? Believe me, Nell Blossom is some girl. But wild—say! You can’t get near her. She’s got a laugh that plays the deuce with a man’s heart strings—accelerates the pit-a-pat of the cardiac nerve to top-notch and then some! She’s got us all on her string, from gray-bearded sour doughs to the half-grown grocery clerk at the Three Star, who would commit suicide to-morrow at her behest—believe me!

But no man, Willie, has seemed yet to put the come hither on Nell Blossom. She just won’t be led, coaxed, or driven. She’s as hard as molded glass. A man-hater, if ever you heard of one. With all your famed powers of persuasion, reverend, I’d like to make a wager that you couldn’t mold our Nell into a pattern of the New England virtues, such as your own prim little sister has become by this time, I’ve no doubt. No insult to Miss Betty intended, Willie. But our Nell—well, you’d have your hands full in trying to make her do a thing that she did not want to do.

The Reverend Willett Ford Hunt was stung here, not by the good-natured raillery aimed at his own traits of character by his old college mate. But why had Joe gone out of his way to drag Betty’s name into it? It seemed to be a mild slur upon his sister’s character, and Hunt had an uneasy feeling that he ought to resent it.