—tutto il giorno, al bel oprar intenti,
Saliron balze, e traversar torrenti.
One day Mr. Chainmail traced upwards the course of a mountain stream to a spot where a small waterfall threw itself over a slab of perpendicular rock, which seemed to bar his farther progress. On a nearer view, he discovered a flight of steps, roughly hewn in the rock, on one side of the fall. Ascending these steps, he entered a narrow winding pass, between high and naked rocks, that afforded only space for a rough footpath, carved on one side, at some height above the torrent.
The pass opened on a lake, from which the stream issued, and which lay like a dark mirror, set in a gigantic frame of mountain precipices. Fragments of rock lay scattered on the edge of the lake, some half-buried in the water: Mr. Chainmail scrambled some way over these fragments, till the base of a rock sinking abruptly in the water, effectually barred his progress. He sat down on a large smooth stone; the faint murmur of the stream he had quitted, the occasional flapping of the wings of the heron, and at long intervals, the solitary springing of a trout, were the only sounds that came to his ear. The sun shone brightly half-way down the opposite rocks, presenting, on their irregular faces, strong masses of light and shade. Suddenly he heard the dash of a paddle, and, turning his eyes, saw a solitary and beautiful girl gliding over the lake in a coracle: she was proceeding from the vicinity of the point he had quitted, towards the upper end of the lake. Her apparel was rustic, but there was in its style something more recherchée, in its arrangement something more of elegance and precision, than was common to the mountain peasant girl. It had more of the contadina of the opera, than of the genuine mountaineer; so at least thought Mr. Chainmail; but she passed so rapidly, and took him so much by surprise, that he had little opportunity for accurate observation. He saw her land, at the farther extremity, and disappear among the rocks: he rose from his seat, returned to the mouth of the pass, stepped from stone to stone across the stream, and attempted to pass round by the other side of the lake; but there again the abruptly sinking precipice closed his way.
Day after day he haunted the spot, but never saw again either the damsel or the coracle. At length, marvelling at himself for being so solicitous about the apparition of a peasant girl in a coracle, who could not, by any possibility, be anything to him, he resumed his explorations in another direction.
One day he wandered to the ruined castle, on the sea-shore, which was not very distant from his inn; and sitting on the rock, near the base of the ruin, was calling up the forms of past ages on the wall of an ivied tower, when on its summit appeared a female figure, whom he recognised in an instant for his nymph of the coracle. The folds of the blue gown pressed by the sea-breeze against one of the most symmetrical of figures, the black feather of the black hat, and the ringleted hair beneath it fluttering in the wind; the apparent peril of her position, on the edge of the mouldering wall, from whose immediate base the rock went down perpendicularly to the sea, presented a singularly interesting combination to the eye of the young antiquary.
Mr. Chainmail had to pass half round the castle, on the land side, before he could reach the entrance: he coasted the dry and bramble-grown moat, crossed the unguarded bridge, passed the unportcullised arch of the gateway, entered the castle court, ascertained the tower, ascended the broken stairs, and stood on the ivied wall. But the nymph of the place was gone. He searched the ruins within and without, but he found not what he sought: he haunted the castle day after day, as he had done the lake, but the damsel appeared no more.
CHAPTER XIV.
THE DINGLE.
The stars of midnight shall be dear
To her, and she shall lean her ear
In many a secret place,
Where rivulets dance their wayward round,
And beauty, born of murmuring sound,
Shall pass into her face.—Wordsworth.
Miss Susannah Touchandgo had read the four great poets of Italy, and many of the best writers of France. About the time of her father’s downfall, accident threw into her way Les Réveries du Promeneur Solitaire; and from the impression which these made on her, she carried with her into retirement all the works of Rousseau. In the midst of that startling light, which the conduct of old friends on a sudden reverse of fortune throws on a young and inexperienced mind, the doctrines of the philosopher of Geneva struck with double force upon her sympathies: she imbibed the sweet poison, as somebody calls it, of his writings, even to a love of truth; which, every wise man knows, ought to be left to those who can get anything by it. The society of children, the beauties of nature, the solitude of the mountains, became her consolation, and, by degrees, her delight. The gay society from which she had been excluded, remained on her memory only as a disagreeable dream. She imbibed her new monitor’s ideas of simplicity of dress, assimilating her own with that of the peasant-girls in the neighbourhood: the black hat, the blue gown, the black stockings, the shoes, tied on the instep.
Pride was, perhaps, at the bottom of the change: she was willing to impose in some measure on herself, by marking a contemptuous indifference to the characteristics of the class of society from which she had fallen.