(Greek passage)
Anacreon.
I love not him, who o'er the wine-cup's flow
Talks but of war, and strife, and scenes of woe:
But him who can the Muses' gifts employ,
To mingle love and song with festal joy.
The dinner and dessert passed away. The ladies retired to the drawing-room: the gentlemen discoursed over their wine. Mr. MacBorrowdale pronounced a eulogium on the port, which was cordially echoed by the divine in regard to the claret.
Mr. Falconer. Doctor, your tastes and sympathies are very much with the Greeks; but I doubt if you would have liked their wine. Condiments of sea-water and turpentine must have given it an odd flavour; and mixing water with it, in the proportion of three to one, must have reduced the strength of merely fermented liquor to something like the smallest ale of Christophero Sly.
The Rev. Dr. Opimian. I must say I should not like to put either salt water or turpentine into this claret: they would not improve its bouquet; nor to dilute it with any portion of water: it has to my mind, as it is, just the strength it ought to have, and no more. But the Greek taste was so exquisite in all matters in which we can bring it to the test, as to justify a strong presumption that in matters in which we cannot test it, it was equally correct. Salt water and turpentine do not suit our wine: it does not follow that theirs had not in it some basis of contrast, which may have made them pleasant in combination. And it was only a few of their wines that were so treated.
Lord Curryfin. Then it could not have been much like their drink of the present day. 'My master cannot be right in his mind,' said Lord Byron's man Fletcher, 'or he would not have left Italy, where we had everything, to go to a country of savages; there is nothing to eat in Greece but tough billy-goats, or to drink but spirits of turpentine.'{1}
The Rev. Dr. Opimian. There is an ambiguous present, which somewhat perplexes me, in an epigram of Rhianus, 'Here is a vessel of half-wine, half-turpentine, and a singularly lean specimen of kid: the sender, Hippocrates, is worthy of all praise.'{2} Perhaps this was a doctor's present to a patient. Alcaeus, Anacreon, and Nonnus could not have sung as they did under the inspiration of spirit of turpentine. We learn from Athenseus, and Pliny, and the old comedians, that the Greeks had a vast variety of wine, enough to suit every variety of taste. I infer the unknown from the known. We know little of their music. I have no doubt it was as excellent in its kind as their sculpture.
1 Trelawny's Recollections.
2 (Greek passage)
Anthologia Palatina: Appendix: 72.
Mr. Minim. I can scarcely think that, sir. They seem to have had only the minor key, and to have known no more of counterpoint than they did of perspective.
The Rev. Dr. Opimian. Their system of painting did not require perspective. Their main subject was on one foreground. Buildings, rocks, trees, served simply to indicate, not to delineate, the scene.
Mr. Falconer. I must demur to their having only the minor key. The natural ascent of the voice is in the major key, and with their exquisite sensibility to sound they could not have missed the obvious expression of cheerfulness. With their three scales, diatonic, chromatic, and enharmonic, they must have exhausted every possible expression of feeling. Their scales were in true intervals; they had really major and minor tones; we have neither, but a confusion of both. They had both sharps and flats: we have neither, but a mere set of semitones, which serve for both. In their enharmonic scale the fineness of their ear perceived distinctions which are lost on the coarseness of ours.