The good Ida was already quite grey, almost white, although not out of the forties. It was a trait of her family: the uncle that died had had white hair at thirty. But her little brown eyes looked as shrewd and faithful as ever. She had been now for twenty years with the Buddenbrooks, and she realized with pride that she was indispensable. She oversaw kitchen, larders, linen and china cupboards, she made the most important purchases, she read to little Erica, made clothes for her dolls, and fetched her from school, with a slice of French bread, to take her walking on the Mill-wall. Every lady said to Frau Consul or her daughter: “What a treasure your Mamsell is, my dear! Goodness, she is worth her weight in gold! Twenty years—and she will be useful at sixty and more; these wiry people are. What faithful eyes she has! I envy you, my love.” But Ida Jungmann was very reserved. She knew her own position, and when some ordinary nurse-girl came and sat down with her charge on the same bench and tried to enter into conversation, Ida Jungmann would say: “There is a draught here, Erica,” and get up and go.
Tony drew her little daughter to her and kissed the rosy cheeks, and the Frau Consul stretched out her hand with rather an absent smile; for she was looking anxiously at the sky, which grew darker and darker. Her left hand fingered the sofa pillows nervously, and her light eyes wandered restlessly to the window.
Erica was allowed to sit next her Grandmother, and Ida sat up straight on a chair and began to knit. Thus all waited silently for the Consul. The air was heavy. The last bit of blue had disappeared; the dark grey sky lowered heavy and swollen over them. The colours in the room changed, the yellow of furniture and hangings and the tones of the landscapes on the walls were all quenched, like the gay shades in Tony’s frock and the brightness of their eyes. Even the west wind, which had been playing in the churchyard of St. Mary’s and whirling the dust around in the darkening street, was suddenly quiet.
This breathless moment of absolute calm came without warning, like some unexpected, soundless, awful event. The sultriness grew heavier, the atmosphere seemed to increase its weight in a second; it oppressed the brain, it rested on the heart, it prevented the breathing. A swallow flew so low over the pavement that its wings touched. And this pressure that one could not lift, this tension, this growing weight on the whole organism, would have become unbearable had it lasted even the smallest part of a second longer, if at its height there had not come a relief, a release—a little break somewhere, soundless, yet perceptible; and at the same moment, without any premonitory drops, the rain fell down in sheets, filling the gutters and overflowing the pavements.
Thomas, whose illness had taught him to pay attention to his nerves, bent over in this second, made a motion toward his head, and flung away his cigarette. He looked around the circle to see if the others had felt anything. He thought his Mother had, perhaps; the others did not seem to be aware. The Frau Consul was looking out now into the thick-streaming rain, which quite hid the church from view; she sighed “Thank God.”
“There,” said Tony, “that will cool the air in two minutes. But the drops will be hanging on the trees outside—we can drink coffee in the verandah. Open the window, Tilda.”
The noise of the rain grew louder. It almost roared. Everything pattered, streamed, rushed, foamed. The wind came up and blew the thick veils of water, tore them apart, and flung them about. It grew cooler every minute.
Lina, the maid-servant, came running through the hall and burst so suddenly into the room that Ida Jungmann called out sharply: “I say, what do you mean—?” Lina’s expressionless blue eyes were wide open, her jaws worked without making a sound—
“Oh, Frau Consul,” she got out, at last. “Come, come quick! oh, what a scare—”
“Yes,” Tony said, “she’s probably broken something again. Very likely the good porcelain. Oh, these servants of yours, Mamma!”