“Eh, that soart o’ thing—what do we know about it? Likely the Consul he couldn’t help it hisself.”
The lady in the veil thinks to herself, “He couldn’t, indeed! Thank God for that,” and presses her hands together, inside her cloak.
“’n’ then,” adds the Buddenbrook partisan, “didn’t the Burgomaster his own self stan’ godfeyther to his son? Can’t ye tell somethin’ by that?”
“Yes, can’t you indeed?” thinks the lady. “Thank heaven, that did do some good.” She starts. A fresh rumour from the Town Hall, running zigzag through the crowd, has reached her ears. The balloting, it seems, has not been decisive. Eduard Kistenmaker, indeed, has received fewer votes than the other two candidates, and his name has been dropped. But the struggle goes on between Buddenbrook and Hagenström. A sapient citizen remarks that if the voting continues to be even, it will be necessary to appoint five arbitrators.
A voice, down in front at the entrance steps, shouts suddenly: “Heine Seehas is ’lected—’rah for Heine Seehas!” Heine Seehas, be it known, is an habitual drunkard, who peddles hot bread on a little wagon through the streets. Everybody roars with laughter, and stands on tip-toe to see the wag who is responsible for the joke. The lady in the veil is seized with a nervous giggle; her shoulders shake for a moment, and then give a shrug which expresses as plainly as words: “Is this the time for tom-foolery like that?” She collects herself again, and stares with intensity between the two labourers at the Town Hall. But almost at the same moment her hands slip from her cloak, so that it opens in front, her figure relaxes, her shoulders droop, she stands there entirely crushed.
Hagenström!—The word seems to have come from nobody knows where—down from the sky, or up from the earth. It is everywhere at once. There is no contradiction. So it is decided. Hagenström! Hagenström it is, then. One may as well go home. The lady in the veil might have known. It was ever thus. She will go home—she feels the tears rising in her throat.
This state of things has lasted a second or so, when there occurs a shouting and a backward jostling of the throng. It runs through the whole assemblage, as those in front press back those behind, and at the same time something red appears in the doorway. It is the coats of the beadles Kaspersen and Uhlefeldt. They are in full-dress uniform, with white riding breeches, three-cornered hats, yellow gauntlet gloves, and short dress swords. They appear side by side, and make their way through the crowd, which falls back before them.
They move like fate: silent, resolved, inexorable, not looking to right or left, with gaze directed toward the ground. They take, according to instructions, the route marked out by the election. And it is not in the direction of Sand Street! They have turned to the right—they are going down Broad Street!
The lady in the veil cannot believe her eyes. However, all about her, people are seeing just what she sees; they are pushing on after the beadles, and saying to each other: “It isn’t Hagenström, it’s Buddenbrook!” And a group of gentlemen emerge from the portal, in excited conversation, and hurry with rapid steps down Broad Street, to be the first to offer congratulations.
Then the lady holds her cloak together and runs for it. She runs, indeed, as seldom lady runs. Her veil blows up, revealing her flushed face—no matter for that; and one of her furred goloshes keeps flapping open in the sloppy snow and hindering her frightfully: yet she outruns them all! She gains the house at the corner of Bakers’ Street, she rings the alarm-bell at the vestibule door—fire, murder, thieves!—she shouts at the maid who opens: “They’re coming, Kathrin, they’re coming,” takes the stairs, and storms into the living-room. Her brother himself sits there, certainly a little pale. He puts down his paper and makes a gesture, almost as if to ward her off. But she puts her arms about him, and repeats: “They’re coming, Tom, they’re coming! You are the man—and Hermann Hagenström is out!”