“Are you still there?” he said breathlessly…. “May I have the pleasure? Come along!”
The sets were complete. They wandered about for a while without finding a place. A man with a ribbon rosette hurried up, seized a pair of young people by the shoulders and induced them to leave their stand under the chandelier, that his Grand Ducal Highness might occupy it with Fräulein Unschlitt. The band had been hesitating, it now struck up, the prescribed compliments were exchanged, and Klaus Heinrich danced like the rest of the world.
The doors into the next room stood open. In one of them was a buffet with flower vases, punch bowls, and dishes of many-coloured cakes. The dance extended right into this room, two sets were dancing in it. In the other room some white-covered tables were arrayed, which were still standing empty.
Klaus Heinrich stepped forwards and backwards, laughed to the others, stretched out his hand and grasped theirs, and then again seized his partner's big white hand, put his right arm round the maiden's muslin-clad waist and revolved with her on their particular patch, while he kept his left hand, which also wore a little white glove, on his hip. They laughed and talked as they danced. The Prince made mistakes, forgot himself, upset figures, and lost his place. “You must keep me straight!” he said in the confusion. “I'm upsetting everything! Nudge me in the ribs!” and the others gradually plucked up courage and set him right, ordered him laughingly hither and thither, even laid their hands on him and pushed him a little when necessary. The fair damsel with the collar-bones was particularly zealous in pushing him about.
The spirits of the dancers rose with every figure. Their movements became freer, their calls bolder, they began to stamp their feet and to prance as they advanced and retired, while they held each other's hands and balanced themselves with their arms. Klaus Heinrich too stamped, at first only by way of signal, but soon more loudly; and as far as the balancing with the arms was concerned, the fair maiden looked after that when they advanced together. Also every time she danced facing him she made an exaggerated scrape before him which much increased the merriment.
The refreshment room was full of chatter and babble, which attracted everybody's envious glances. Some one had left his set in the middle of the dance, purloined a sandwich from the buffet, and was now chewing away proudly as he swerved and stamped, to the amusement of the rest.
“What cheek!” said the fair maiden. “They don't stand on ceremony!” and the idea gave her no peace. Before you could look round, she was off, had dashed lightly and nimbly between the lines of dancers, had seized a sandwich from the buffet and was back in her place.
Klaus Heinrich was the one who applauded her most heartily. His left hand was a difficulty, and so he managed without it, while with his right he beat on the top of his head and doubled up with laughter. Then he became quieter and rather pale. He was struggling with himself…. The quadrille was nearing its end. What he meant to do he must do quickly. They had already got to the grand chain.
And as he was already almost too late, he did what he had been struggling with himself about. He broke away, ran swiftly through the dancers, with muttered apologies when he collided with anybody, reached the buffet, seized a sandwich, rushed back, and came sliding into his set; that was not all, he put the sandwich—it was an egg and sardine one—to the lips of his partner, the damsel with the big white hands; she curtseyed a little, bit into it, bit almost half off without using her hands, and throwing back his head he stuffed the rest into his mouth!
The high spirits of the set found a vent in the grand chain, which was just beginning. Right round the hall went the dancers, winding zig-zag in and out and stretching out their hands. Then it stopped, the tide turned, and once more the stream went round, laughing and chattering, with mistakes and entanglements and hurriedly rectified complications.