On the other hand the critics might have been asked what sort of a match they could expect for their Princess, if they viewed the matter soberly. Ditlinde, who brought her husband scarcely anything except an inexhaustible store of linen, including dozens of out-of-date and useless articles such as night-caps and neckerchiefs, which however by hallowed tradition formed part of her trousseau—she by this marriage acquired a measure of riches and comfort such as she had never been accustomed to at home: and no sacrifice of her affections was necessary to pay for them. She took the step into private life with obvious contentment and determination, and retained, of the trappings of Highness, nothing but her title. She remained on friendly terms with her ladies-in-waiting, but divested her relations with them of everything which suggested service, and avoided giving her household the character of a Court.

That might evoke surprise, especially in a Grimmburg and in Ditlinde in particular, but there was no doubt that it was her own choice. The couple spent the summer on the princely estates, the winter in the capital in the stately palace in the Albrechtstrasse, which Philipp zu Ried had inherited; and it was here, not in the Old Schloss, that the Grand Ducal family—Klaus Heinrich and Ditlinde, occasionally Albrecht as well—met now and again for a confidential talk.

So it happened that one day at the beginning of autumn, not quite two years after the death of Johann Albrecht, the Courier, well-informed as usual, published in its evening edition the news that this afternoon his Royal Highness the Grand Duke and his Grand Ducal Highness Prince Klaus Heinrich had been to tea with her Grand Ducal Highness the Princess zu Ried-Hohenried. That was all. But on that afternoon several topics of importance for the future were discussed between the brothers and sister.

Klaus Heinrich left the Hermitage shortly before five o'clock. As the weather was sunny, he had ordered the dogcart, and the open brown-varnished vehicle, clean and shining, if not over-new or smart to look at, came slowly up the broad drive of the Schloss, at a quarter to five, from the stables, which with their asphalt yard lay in the right wing of the home farm. The home farm, yellow-painted, old-fashioned buildings of one story, made one long line with, though at some distance from, the plain white mansion, the front of which, adorned with laurels at regular intervals, faced the muddy pond and the public part of the park.

For the front portion of the estate, that which marched with the town gardens, was open to pedestrians and light traffic, and all that was enclosed was the gently rising flower-garden, at the top of which lay the Schloss and the very unkempt park behind, which was divided by hedges and fences from the rubbish-encumbered waste ground at the edge of the town suburbs. So the cart came up the drive between the pond and the home farm, turned through the high garden gates, adorned with lamps which had once been gilt, passed on up the drive and waited in front of the stiff little laurel-planted terrace which led to the garden-room.

Klaus Heinrich came out a few minutes before five. He wore as usual the tight-fitting uniform of a lieutenant of the Grenadier Guards, and his sword-hilt hung on his arm. Neumann, in a violet coat whose arms were too short, ran in front of him down the steps and with his red barber's hands packed his master's folded grey over-coat into the cart. Then, while the coachman, his hand to his cockaded hat, inclined a little sideways on the box, the valet arranged the light carriage rug over Klaus Heinrich's knees and stepped back with a silent bow. The horses started off.

Outside the garden gates a few promenaders had collected. They greeted Klaus Heinrich, smiling with knitted brows and hats lifted, and Klaus Heinrich thanked them by raising his white-gloved right hand to the peak of his cap and making a succession of lively nods.

They skirted a piece of waste ground along a birch avenue, whose leaves were already turning, and then drove through the suburb, between poverty-stricken houses, over unpaved streets, where the ragged children left their hoops and tops for a moment to gaze at the carriage with curious eyes. Some cried, Hurrah! and ran for a while by the side of the carriage, with heads turned towards Klaus Heinrich. The carriage might have taken the road by the Spa-gardens; but that through the suburb was shorter, and time pressed. Ditlinde was particular on points of regularity, and easily put out if anybody disturbed her household arrangements by unpunctuality.

Yonder was the Dorothea Children's Hospital of which Doctor Sammet, Ueberbein's friend, was the Director; Klaus Heinrich drove by it. And then the carriage left the squalid neighbourhood and reached the Gartenstrasse, a stately tree-planted avenue, in which lay the houses and villas of wealthy citizens, and along which ran the tram-line from the Spa Gardens to the centre of the city. The traffic here was fairly heavy, and Klaus Heinrich was kept busy answering the greetings which met him. Civilians took off their hats and looked from under their eyebrows at him, officers on horse and on foot saluted, policemen front-turned, and Klaus Heinrich in his corner raised his hand to the peak of his cap and thanked on both sides with the well-trained bow and smile which were calculated to confirm the people in their feeling of participation in his splendid personality…. His way of sitting in his carriage was quite peculiar—he did not lean back indolently and comfortably in the cushions, but he took just as active a part in the motions of the carriage when driving as in those of his horse when riding; with hands crossed on his sword hilt and one foot a little advanced, he as it were “took” the unevennesses of the ground, and accommodated himself to the motion of the badly hung carriage.

The carriage crossed the Albrechtsplatz, left the Old Schloss, with the two sentries presenting arms, to the right, followed the Albrechtstrasse in the direction of the barracks of the Grenadier Guards and rolled to the left into the courtyard of the palace of the Princess of Ried. It was a building of regular proportions in the pedantic style, with a soaring gable over the main door, festooned œils-de-bœuf in the mezzanine story, high French windows in the first story, and an elegant cour d'honneur, which was formed by the two one-storied wings and was separated from the street by a circular railing, on whose pillars stone babies played. But the internal arrangements of the Schloss were, in contradistinction to the historical style of its exterior, conceived throughout in an up-to-date and comfortable bourgeois taste.