“A glory like a saint’s.
They look’d like splendid angels newly drest,
Save wings, for heaven.”—Keats.
Eastward the organ rose with its sloping gallery of choristers, selected from Westminster, the Royal Chapel, and St. Mark’s; and from thence the full choir burst, and the sounds were caught up and joined by thousands of voices, until the huge building seemed to throb again beneath that mighty utterance. The eye fairly ached as it rested on the vast plane of human faces, which inclined from the west end of the cathedral, and came dipping down almost to the very foot of the choir, so chequered was the richly-coloured field it fell upon.
As the anthem stole upon the ear, we seemed borne away to another state, to that heaven of which we catch glimpses in our sweetest dreams, when all those childish voices joined in the thrilling chorus; when we beheld thousands of childish faces in the ever-shifting light, we could almost fancy that we stood amid those ranks “who veil their faces with their wings” before the blinding glory of heaven. Over all pealed the full-voiced organ, sounding like music that belongs not to earth, now high, now low, near or remote, as the reverberated sound rose to the dome or traversed the aisles, coming in and out like wavering light between the pillars and shadowy recesses, spots in which old echoes seem to sleep, old voices to linger, which only broke forth at intervals to join in the solemn anthem that rose up and floated away, and would only become indistinct when it reached the star-paved courts above.
There was something pleasing in the countenances of many of the girls, something meek and patient in the expression they wore, especially in the little ones. You could almost fancy you could distinguish those who were orphans, by their looking timidly round, as if seeking among the spectators for some one to love them.
From such a scene our mind naturally turned to the huge amphitheatres of old, when the populace of ancient cities congregated to see some gladiator die, or to witness the struggle between man and the savage beast, while the air was rent with applauding shouts, as the combatants bled beneath each other’s swords, or were torn by the tusks of infuriated animals. How great the contrast! Instead of the shouts of the heathen multitude, here the solemn anthem was chanted by thousands of childish voices, while every heart seemed uplifted in silent prayer to God. Here we saw the youthful aspirants of heaven tuning their notes like young birds, dim, half-heard melodies, which can only burst forth in perfect music when they reach that immortal land where “one eternal summer ever reigns;” and we sighed as we thought how many thousands still uncared for were scattered through the streets and alleys of London, and left to live as they best could amid ignorance, rags, and hunger, with no one to teach them that, outcasts as they are on earth, they have still a Father in heaven who careth for them. Charitably disposed as England is to her poor children, she has yet much to do before her great work is perfected; she has yet to bring together her homeless thousands who have neither food nor raiment, nor any place at night where they can lay their weary and aching heads. The time will come when she will be convinced that she must do more than save a remnant, when there will be none left in hunger and ignorance to hang about her great cathedral, as we saw them then, envying the thousands of clean and healthy-looking children, who, more fortunate than they, were under the care of charitable guardians. All these her protecting arms will in time encircle in one warm motherly embrace, without distinction. God send that the time may be near at hand!
Many a “rapt soul” looked out with moistened eyes from that assemblage, which, when this earthly pilgrimage is ended, shall hear the voice of the great Master whom they have served exclaim: “For I was an hungered, and ye gave me meat; I was thirsty, and ye gave me drink; I was a stranger, and ye took me in.” Such we could distinguish, who felt no greater pleasure than in sharing their wealth amongst the poor and needy; on whose brow benevolence had set her seal; who do good by stealth, and “blush to find it fame.” Such as these feel an innate pleasure which the miser never experienced while gloating over his hoarded gold; and when the Angel of Death comes, he will bear them away gently; and in the soft beating of his dark wings they will hear again the sweet voices of those dear children singing a little way before, as if they had but to shew their faces, when the gates of Paradise would
“Wide on their golden hinges swing;”
while outstretched arms would be seen through the surrounding halo, holding forth the crowns of glory which had been prepared for them “from the foundation of the world.”
Glancing at the building, we must state that, from the base to the top of the cross, which overlooks the dome, the height is 400 feet; and that of the campanile towers, which front Ludgate-hill, 220 feet; the length of the building, from east to west, is 500 feet; and the breadth 100 feet; while the ground enclosed by the palisade measures upwards of two acres. As all the world knows, the architect was Sir Christopher Wren, whose grave is in the crypt below, and whose monument is the building itself; such a pile as no monarch ever erected to his own memory. The choir is enriched by the beautiful carving of Grinling Gibbons, who ought to have slept beside the great architect of St. Paul’s in the vault beneath. The sculpture on the west front is by Bird, and the beholder will be struck by the colossal size of the figures, if he pauses to look out as he ascends the dome. They are, Paul preaching to the Romans, his Conversion, &c.; while those at the sides represent the Evangelists. The minute-hand of the clock measures eight feet, and the dial is fifty-seven feet in circumference; while the great bell, which strikes the hour, weighs between four and five tons. It is only tolled at the deaths and burials of the royal family, and a few others, who may have been connected with the cathedral.
The Whispering-gallery, the Clock-room, the Library, and Model-room, have been so often described, that we shall pass them by, and briefly glance at the monuments.