"I am now thinking of regretting that, just as I have left Newstead, you reside near it. Did you ever see it? do—but don't tell me that you like it. If I had known of such intellectual neighbourhood, I don't think I should have quitted it. You could have come over so often, as a bachelor,—for it was a thorough bachelor's mansion—plenty of wine and such sordid sensualities—with books enough, room enough, and an air of antiquity about all (except the lasses) that would have suited you, when pensive, and served you to laugh at when in glee. I had built myself a bath and a vault—and now I sha'n't even be buried in it. It is odd that we can't even be certain of a grave, at least a particular one. I remember, when about fifteen, reading your poems there, which I can repeat almost now,—and asking all kinds of questions about the author, when I heard that he was not dead according to the preface; wondering if I should ever see him—and though, at that time, without the smallest poetical propensity myself, very much taken, as you may imagine, with that volume. Adieu—I commit you to the care of the gods—Hindoo, Scandinavian, and Hellenic!
"P.S. 2d. There is an excellent review of Grimm's Correspondence and Made. de Staël in this No. of the E.R. Jeffrey, himself, was my critic last year; but this is, I believe, by another hand. I hope you are going on with your grand coup—pray do—or that damned Lucien Buonaparte will beat us all. I have seen much of his poem in MS., and he really surpasses every thing beneath Tasso. Hodgson is translating him against another bard. You and (I believe, Rogers,) Scott, Gifford, and myself, are to be referred to as judges between the twain,—that is, if you accept the office. Conceive our different opinions! I think we, most of us (I am talking very impudently, you will think—us, indeed!) have a way of our own,—at least, you and Scott certainly have."
LETTER 134. TO MR. MOORE.
"August 28. 1813.
"Ay, my dear Moore, 'there was a time'—I have heard of your tricks, when 'you was campaigning at the King of Bohemy.' I am much mistaken if, some fine London spring, about the year 1815, that time does not come again. After all, we must end in marriage; and I can conceive nothing more delightful than such a state in the country, reading the county newspaper, &c., and kissing one's wife's maid. Seriously, I would incorporate with any woman of decent demeanour to-morrow—that is, I would a month ago, but, at present, * * *
"Why don't you 'parody that Ode?'[79]—Do you think I should be tetchy? or have you done it, and won't tell me?—You are quite right about Giamschid, and I have reduced it to a dissyllable within this half hour.[80] I am glad to hear you talk of Richardson, because it tells me what you won't—that you are going to beat Lucien. At least tell me how far you have proceeded. Do you think me less interested about your works, or less sincere than our friend Ruggiero? I am not—and never was. In that thing of mine, the 'English Bards,' at the time when I was angry with all the world, I never 'disparaged your parts,' although I did not know you personally;—and have always regretted that you don't give us an entire work, and not sprinkle yourself in detached pieces—beautiful, I allow, and quite alone in our language[81], but still giving us a right to expect a Shah Nameh (is that the name?) as well as gazels. Stick to the East;—the oracle, Staël, told me it was the only poetical policy. The North, South, and West, have all been exhausted; but from the East, we have nothing but S * *'s unsaleables,—and these he has contrived to spoil, by adopting only their most outrageous fictions. His personages don't interest us, and yours will. You will have no competitor; and, if you had, you ought to be glad of it. The little I have done in that way is merely a 'voice in the wilderness' for you; and if it has had any success, that also will prove that the public are orientalising, and pave the path for you.
"I have been thinking of a story, grafted on the amours of a Peri and a mortal—something like, only more philanthropical than, Cazotte's Diable Amoureux. It would require a good deal of poesy, and tenderness is not my forte. For that, and other reasons, I have given up the idea, and merely suggest it to you, because, in intervals of your greater work, I think it a subject you might make much of.[82] If you want any more books, there is 'Castellan's Moeurs des Ottomans,' the best compendium of the kind I ever met with, in six small tomes. I am really taking a liberty by talking in this style to my 'elders and my betters;'—pardon it, and don't Rochefoucault my motives."