"Dear Doctor, I have read your play,
Which is a good one in its way,—
Purges the eyes and moves the bowels,
And drenches handkerchiefs like towels
With tears, that, in a flux of grief,
Afford hysterical relief
To shatter'd nerves and quicken'd pulses,
Which your catastrophe convulses.
"I like your moral and machinery;
Your plot, too, has such scope for scenery!
Your dialogue is apt and smart;
The play's concoction full of art;
Your hero raves, your heroine cries,
All stab, and every body dies.
In short, your tragedy would be
The very thing to hear and see:
And for a piece of publication,
If I decline on this occasion,
It is not that I am not sensible
To merits in themselves ostensible,
But—and I grieve to speak it—plays
Are drugs, mere drugs, sir—now-a-days.
I had a heavy loss by 'Manuel,'—
Too lucky if it prove not annual,—
And S * *, with his 'Orestes,'
(Which, by the by, the author's best is,)
Has lain so very long on hand
That I despair of all demand.
I've advertised, but see my books,
Or only watch my shopman's looks;—
Still Ivan, Ina, and such lumber,
My back-shop glut, my shelves encumber.
"There's Byron too, who once did better,
Has sent me, folded in a letter,
A sort of—it's no more a drama
Than Darnley, Ivan, or Kehama;
So alter'd since last year his pen is,
I think he's lost his wits at Venice.
In short, sir, what with one and t'other,
I dare not venture on another.
I write in haste; excuse each blunder;
The coaches through the street so thunder!
My room's so full—we've Gifford here
Reading MS., with Hookham Frere,
Pronouncing on the nouns and particles
Of some of our forthcoming Articles.
"The Quarterly—Ah, sir, if you
Had but the genius to review!—
A smart critique upon St. Helena,
Or if you only would but tell in a
Short compass what—but, to resume:
As I was saying, sir, the room—
The room's so full of wits and bards,
Crabbes, Campbells, Crokers, Freres, and Wards,
And others, neither bards nor wits:—
My humble tenement admits
All persons in the dress of gent.,
From Mr. Hammond to Dog Dent.
"A party dines with me to-day,
All clever men, who make their way;
They're at this moment in discussion
On poor De Staël's late dissolution.
Her book, they say, was in advance—
Pray Heaven, she tell the truth of France!
"Thus run our time and tongues away.—
But, to return, sir, to your play:
Sorry, sir, but I cannot deal,
Unless 'twere acted by O'Neill.
My hands so full, my head so busy,
I'm almost dead, and always dizzy;
And so, with endless truth and hurry,
Dear Doctor, I am yours,

"JOHN MURRAY.

"P.S. I've done the fourth and last Canto, which amounts to 133 stanzas. I desire you to name a price; if you don't, I will; so I advise you in time.

"Yours, &c.

"There will be a good many notes."


Among those minor misrepresentations of which it was Lord Byron's fate to be the victim, advantage was, at this time, taken of his professed distaste to the English, to accuse him of acts of inhospitality, and even rudeness, towards some of his fellow-countrymen. How far different was his treatment of all who ever visited him, many grateful testimonies might be collected to prove; but I shall here content myself with selecting a few extracts from an account given me by Mr. Henry Joy of a visit which, in company with another English gentleman, he paid to the noble poet this summer, at his villa on the banks of the Brenta. After mentioning the various civilities they had experienced from Lord Byron; and, among others, his having requested them to name their own day for dining with him,—"We availed ourselves," says Mr. Joy, "of this considerate courtesy by naming the day fixed for our return to Padua, when our route would lead us to his door; and we were welcomed with all the cordiality which was to be expected from so friendly a bidding. Such traits of kindness in such a man deserve to be recorded on account of the numerous slanders thrown upon him by some of the tribes of tourists, who resented, as a personal affront, his resolution to avoid their impertinent inroads upon his retirement. So far from any appearance of indiscriminate aversion to his countrymen, his enquiries about his friends in England (quorum pars magna fuisti) were most anxious and particular.

"He expressed some opinions," continues my informant, "on matters of taste, which cannot fail to interest his biographer. He contended that Sculpture, as an art, was vastly superior to Painting;—a preference which is strikingly illustrated by the fact that, in the fourth Canto of Childe Harold, he gives the most elaborate and splendid account of several statues, and none of any pictures; although Italy is, emphatically, the land of painting, and her best statues are derived from Greece. By the way, he told us that there were more objects of interest in Rome alone than in all Greece from one extremity to the other. After regaling us with an excellent dinner, (in which, by the by, a very English joint of roast beef showed that he did not extend his antipathies to all John-Bullisms,) he took me in his carriage some miles of our route towards Padua, after apologising to my fellow-traveller for the separation, on the score of his anxiety to hear all he could of his friends in England; and I quitted him with a confirmed impression of the strong ardour and sincerity of his attachment to those by whom he did not fancy himself slighted or ill treated."


LETTER 295. TO MR. MURRAY.