His first appearance before the public as a political character was in conjunction with Mr. Fox, at the beginning of the year 1780, when the famous Resolutions on the State of the Representation, signed by Mr. Fox as chairman of the Westminster Committee, together with a Report on the same subject from the Sub-committee, signed by Sheridan, were laid before the public. Annual Parliaments and Universal Suffrage were the professed objects of this meeting; and the first of the Resolutions, subscribed by Mr. Fox, stated that "Annual Parliaments are the undoubted right of the people of England."
Notwithstanding this strong declaration, it may be doubted whether Sheridan was, any more than Mr. Fox, a very sincere friend to the principle of Reform; and the manner in which he masked his disinclination or indifference to it was strongly characteristic both of his humor and his tact. Aware that the wild scheme of Cartwright and others, which these resolutions recommended, was wholly impracticable, he always took refuge in it when pressed upon the subject, and would laughingly advise his political friends to do the same:—"Whenever any one," he would say, "proposes to you a specific plan of Reform, always answer that you are for nothing short of Annual Parliaments and Universal Suffrage—there you are safe." He also had evident delight, when talking on this question, in referring to a jest of Burke, who said that there had arisen a new party of Reformers, still more orthodox than the rest, who thought Annual Parliaments far from being sufficiently frequent, and who, founding themselves upon the latter words of the statute of Edward III., that "a parliament shall be holden every year once and more often if need be" were known by the denomination of the Oftener-if-need-bes. "For my part," he would add, in relating this, "I am an Oftener-if-need-be." Even when most serious on the subject (for, to the last he professed himself a warm friend to Reform) his arguments had the air of being ironical and insidious. To Annual Parliaments and Universal Suffrage, he would say, the principles of representation naturally and necessarily led,—any less extensive proposition was a base compromise and a dereliction of right; and the first encroachment on the people was the Act of Henry VI., which limited the power of election to forty-shilling freeholders within the county, whereas the real right was in the "outrageous and excessive" number of people by whom the preamble recites [Footnote: "Elections of knights of shires have now of late been made by very great outrageous and excessive number of people, dwelling within the same counties, of the which most part was people of small substance and of no value." 8 H. 6. c. 7.] that the choice had been made of late.—Such were the arguments by which he affected to support his cause, and it is not difficult to detect the eyes of the snake glistening from under them.
The dissolution of parliament that took place in the autumn of this year (1780) afforded at length the opportunity to which his ambition had so eagerly looked forward. It has been said, I know not with what accuracy, that he first tried his chance of election at Honiton—but Stafford was the place destined to have the honor of first choosing him for its representative; and it must have been no small gratification to his independent spirit, that, unfurnished as he was with claims from past political services, he appeared in parliament, not as the nominee of any aristocratic patron, but as member for a borough, which, whatever might be its purity in other respects, at least enjoyed the freedom of choice. Elected conjointly with Mr. Monckton, to whose interest and exertions he chiefly owed his success, he took his seat in the new parliament which met in the month of October;—and, from that moment giving himself up to the pursuit of politics, bid adieu to the worship of the Dramatic Muse for ever.
"Comoedia luget;
Scena est deserta: hinc ludus risusque jocusgue
Et numeri innumeri simul omnes collacrumarunt."
Comedy mourns—the Stage neglected sleeps—
E'en Mirth in tears his languid laughter steeps—
And Song, through all her various empire, weeps.
CHAPTER VII.
UNFINISHED PLAYS AND POEMS.
Before I enter upon the sketch of Mr. Sheridan's political life, I shall take this opportunity of laying before the reader such information with respect to his unfinished literary designs, both dramatic and poetic, as the papers in my possession enable me to communicate.
Some of his youthful attempts in literature have already been mentioned, and there is a dramatic sketch of his, founded on the Vicar of Wakefield, which from a date on the manuscript (1768), appears to have been produced at a still earlier age, and when he was only in his seventeenth year. A scene of this piece will be sufficient to show how very soon his talent for lively dialogue displayed itself:—