"My immediate wish at present is to give the performers their parts in the music (which they expect on Sunday night), and for any assistance the orchestra can give to help the effect of the glees, &c., that may be judged of and added at a rehearsal, or, as you say, on inquiring how they have been done; though I don't think it follows that what Dr. Arne's method is must be the best. If it were possible for Saturday and Sunday's post to bring us what we asked for in our last letters, and what I now enclose, we should still go through it on Sunday, and the performers should have their parts complete by Monday night. We have had our rehearsal of the speaking part, and are to have another on Saturday. I want Dr. Harrington's catch, but, as the sense must be the same, I am at a loss how to put other words. Can't the under part ('A smoky house, &c.') be sung by one person and the other two change? The situation is— Quick and Dubellamy, two lovers, carrying away Father Paul (Reinold) in great raptures, to marry them:—the Friar has before warned them of the ills of a married life, and they break out into this. The catch is particularly calculated for a stage effect; but I don't like to take another person's words, and I don't see how I can put others, keeping the same idea ('of seven squalling brats, &c.') in which the whole affair lies. However, I shall be glad of the notes, with Reynold's part, if it is possible, as I mentioned. [Footnote: This idea was afterwards relinquished.]
"I have literally and really not had time to write the words of any thing more first and then send them to you, and this obliges me to use this apparently awkward way….
* * * * *
"My father was astonishingly well received on Saturday night in Cato: I think it will not be many days before we are reconciled.
"The inclosed are the words for 'Wind, gentle evergreen;' a passionate song for Mattocks, [Footnote: The words of this song, in composing which the directions here given were exactly followed, are to be found in scarce any of the editions of the Duenna. They are as follows:—
Sharp is the woe that wounds the jealous mind,
When treachery two fond hearts would rend;
But oh! how keener far the pang to find
That traitor in our bosom friend.]
and another for Miss Brown, [Footnote: "Adieu, thou dreary pile.">[ which solicit to be clothed with melody by you, and are all I want. Mattocks's I could wish to be a broken, passionate affair, and the first two lines may be recitative, or what you please, uncommon. Miss Brown sings hers in a joyful mood: we want her to show in it as much execution as she is capable of, which is pretty well; and, for variety, we want Mr. Simpson's hautboy to cut a figure, with replying passages, &c., in the way of Fisher's 'M' ami, il bel idol mio,' to abet which I have lugged in 'Echo,' who is always allowed to play her part. I have not a moment more. Yours ever sincerely."
The next and last extract I shall give at present is from a letter, dated Nov. 2, 1775, about three weeks before the first representation of the opera.
"Our music is now all finished and rehearsing, but we are greatly impatient to see you. We hold your coming to be necessary beyond conception. You say you are at our service after Tuesday next; then 'I conjure you by that you do possess,' in which I include all the powers that preside over harmony, to come next Thursday night (this day se'nnight), and we will fix a rehearsal for Friday morning. From what I see of their rehearsing at present, I am become still more anxious to see you.
"We have received all your songs, and are vastly pleased with them. You misunderstood me as to the hautboy song; I had not the least intention to fix on 'Bel idol mio,' However, I think it is particularly well adapted, and, I doubt not, will have a great effect…."