Some drops were in the bowl,
Remains of last night's pleasure,
With which the Sparks of Soul
Mixt their burning treasure.
Hence the goblet's shower
Hath such spells to win us;
Hence its mighty power
O'er that flame within us.
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
DEAR HARP OF MY COUNTRY.
Dear Harp of my Country! in darkness I found thee,
The cold chain of silence had hung o'er thee long,[1]
When proudly, my own Island Harp, I unbound thee,
And gave all thy chords to light, freedom, and song!
The warm lay of love and the light note of gladness
Have wakened thy fondest, thy liveliest thrill;
But, so oft hast thou echoed the deep sigh of sadness,
That even in thy mirth it will steal from thee still.
Dear Harp of my country! farewell to thy numbers,
This sweet wreath of song is the last we shall twine!
Go, sleep with the sunshine of Fame on thy slumbers,
Till touched by some hand less unworthy than mine;
If the pulse of the patriot, soldier, or lover,
Have throbbed at our lay, 'tis thy glory alone;
I was but as the wind, passing heedlessly over,
And all the wild sweetness I waked was thy own.
[1] The chain of Silence was a sort of practical figure of rhetoric among the ancient Irish. Walker tells us of "a celebrated contention for precedence between Finn and Gaul, near Finn's palace at Almhaim, where the attending Bards anxious, if possible, to produce a cessation of hostilities, shook the chain of Silence, and flung themselves among the ranks."
MY GENTLE HARP.
My gentle harp, once more I waken
The sweetness of thy slumbering strain;
In tears our last farewell was taken,
And now in tears we meet again.
No light of joy hath o'er thee broken,
But, like those Harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
Thou hang'st upon the willows still.
And yet, since last thy chord resounded,
An hour of peace and triumph came,
And many an ardent bosom bounded
With hopes—that now art turned to shame.
Yet even then, while Peace was singing
Her halcyon song o'er land and sea,
Tho' joy and hope to others bringing,
She only brought new tears to thee.
Then, who can ask for notes of pleasure,
My drooping Harp, from chords like thine?
Alas, the lark's gay morning measure
As ill would suit the swan's decline!
Or how shall I, who love, who bless thee,
Invoke thy breath for Freedom's strains,
When even the wreaths in which I dress thee,
Are sadly mixt—half flowers, half chains?
But come—if yet thy frame can borrow
One breath of joy, oh, breathe for me,
And show the world, in chains and sorrow,
How sweet thy music still can be;
How gaily, even mid gloom surrounding,
Thou yet canst wake at pleasure's thrill—
Like Memnon's broken image sounding,
Mid desolation tuneful still!